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“Av coorse his wife may not get to know of it, and–“

“Not get to know it! ‘Tsh, you are a child–“

“Faith, I’ll say what I think, and that in y’r face! Maybe he’ll tire of the handsome rip–for handsome she is, like a yellow lily growin’ out o’ mud–and go back to his lawful wife, that believes he’s at the mines, when he’s drinkin’ and colloguin’ wid a fly-away.”

Pierre slowly wheeled till he had the Irishman straight in his eye. Then he said in a low, cutting tone: “I suppose your heart aches for the beautiful lady, eh?” Here he screwed his slight forefinger into Tom’s breast; then he added sharply: “‘Nom de Dieu,’ but you make me angry! You talk too much. Such men get into trouble. And keep down the riot of that heart of yours, Tom Liffey, or you’ll walk on the edge of knives one day. And now take an inch of whisky and ease the anxious soul. ‘Voila!'” After a moment he added: “Women work these things out for themselves.” Then the two left the hut, and amiably strolled together to the centre of the village, where they parted. It was as Pierre had said: the woman would work the thing out for herself. Later that evening Heldon’s wife stood cloaked and veiled in the shadows of the pines, facing the house with The Crimson Flag. Her eyes shifted ever from the door to the flag, which was stirred by the light breeze. Once or twice she shivered as with cold, but she instantly stilled again, and watched. It was midnight. Here and there beyond in the village a light showed, and straggling voices floated faintly towards her. For a long time no sound came from the house. But at last she heard a laugh. At that she drew something from her pocket, and held it firmly in her hand. Once she turned and looked at another house far up on the hill, where lights were burning. It was Heldon’s house–her home. A sharp sound as of anguish and anger escaped her; then she fastened her eyes on the door in front of her.

At that moment Tom Liffey was standing with his hands on his hips looking at Heldon’s home on the hill; and he said some rumbling words, then strode on down the road, and suddenly paused near the wife. He did not see her. He faced the door at which she was looking, and shook his fist at it.

“A murrain on y’r sowl!” said he, “as there’s plague in y’r body, and hell in the slide of y’r feet, like the trail of the red spider. And out o’ that come ye, Heldon, for I know y’re there. Out of that, ye beast! … But how can ye go back–you that’s rolled in that sewer–to the loveliest woman that ever trod the neck o’ the world! Damned y’ are in every joint o’ y’r frame, and damned is y’r sowl, I say, for bringing sorrow to her; and I hate you as much for that, as I could worship her was she not your wife and a lady o’ blood, God save her!”

Then shaking his fist once more, he swung away slowly down the road. During this the wife’s teeth held together as though they were of a piece. She looked after Tom Liffey and smiled; but it was a dreadful smile.

“He worships me, that common man–worships me,” she said. “This man who was my husband has shamed me, left me. Well–“

The door of the house opened; a man came out. His wife leaned a little forward, and something clicked ominously in her hand. But a voice came up the road towards them through the clear air–the voice of Tom Liffey. The husband paused to listen; the wife mechanically did the same. The husband remembered this afterwards: it was the key to, and the beginning of, a tragedy. These are the words the Irishman sang: