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The Coxon Fund
by
“Yes, his great eyes,” said my young lady attentively. She had evidently heard all about his great eyes–the beaux yeux for which alone we had really done it all.
“They’re tragic and splendid–lights on a dangerous coast. But he moves badly and dresses worse, and altogether he’s anything but smart.”
My companion, who appeared to reflect on this, after a moment appealed. “Do you call him a real gentleman?”
I started slightly at the question, for I had a sense of recognising it: George Gravener, years before, that first flushed night, had put me face to face with it. It had embarrassed me then, but it didn’t embarrass me now, for I had lived with it and overcome it and disposed of it. “A real gentleman? Emphatically not!”
My promptitude surprised her a little, but I quickly felt how little it was to Gravener I was now talking. “Do you say that because he’s–what do you call it in England?–of humble extraction?”
“Not a bit. His father was a country school-master and his mother the widow of a sexton, but that has nothing to do with it. I say it simply because I know him well.”
“But isn’t it an awful drawback?”
“Awful–quite awful.”
“I mean isn’t it positively fatal?”
“Fatal to what? Not to his magnificent vitality.”
Again she had a meditative moment. “And is his magnificent vitality the cause of his vices?”
“Your questions are formidable, but I’m glad you put them. I was thinking of his noble intellect. His vices, as you say, have been much exaggerated: they consist mainly after all in one comprehensive defect.”
“A want of will?”
“A want of dignity.”
“He doesn’t recognise his obligations?”
“On the contrary, he recognises them with effusion, especially in public: he smiles and bows and beckons across the street to them. But when they pass over he turns away, and he speedily loses them in the crowd. The recognition’s purely spiritual–it isn’t in the least social. So he leaves all his belongings to other people to take care of. He accepts favours, loans, sacrifices–all with nothing more deterrent than an agony of shame. Fortunately we’re a little faithful band, and we do what we can.” I held my tongue about the natural children, engendered, to the number of three, in the wantonness of his youth. I only remarked that he did make efforts–often tremendous ones. “But the efforts,” I said, “never come to much: the only things that come to much are the abandonments, the surrenders.”
“And how much do they come to?”
“You’re right to put it as if we had a big bill to pay, but, as I’ve told you before, your questions are rather terrible. They come, these mere exercises of genius, to a great sum total of poetry, of philosophy, a mighty mass of speculation, notation, quotation. The genius is there, you see, to meet the surrender; but there’s no genius to support the defence.”
“But what is there, after all, at his age, to show?”
“In the way of achievement recognised and reputation established?” I asked. “To ‘show’ if you will, there isn’t much, since his writing, mostly, isn’t as fine, isn’t certainly as showy, as his talk. Moreover two-thirds of his work are merely colossal projects and announcements. ‘Showing’ Frank Saltram is often a poor business,” I went on: “we endeavoured, you’ll have observed, to show him to-night! However, if he HAD lectured he’d have lectured divinely. It would just have been his talk.”
“And what would his talk just have been?”
I was conscious of some ineffectiveness, as well perhaps as of a little impatience, as I replied: “The exhibition of a splendid intellect.” My young lady looked not quite satisfied at this, but as I wasn’t prepared for another question I hastily pursued: “The sight of a great suspended swinging crystal–huge lucid lustrous, a block of light–flashing back every impression of life and every possibility of thought!”