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Poor Susan! she stood for a minute looking at the drawing, but she said nothing; not even a word of praise. She felt that she was red in the face, and uncourteous to their lodger; but her mother was looking at her and she did not know how to behave herself.

Mrs. Bell put out her hand for the sketch, trying to bethink herself as she did so in what least uncivil way she could refuse the present. She took a moment to look at it collecting her thoughts, and as she did so her woman’s wit came to her aid.

“Oh dear, Mr. Dunn, it is very pretty; quite a beautiful picture. I cannot let Susan rob you of that. You must keep that for some of your own particular friends.”

“But I did it for her,” said Aaron innocently.

Susan looked down at the ground, half pleased at the declaration. The drawing would look very pretty in a small gilt frame put over her dressing-table. But the matter now was altogether in her mother’s hands.

“I am afraid it is too valuable, sir, for Susan to accept.”

“It is not valuable at all,” said Aaron, declining to take it back from the widow’s hand.

“Oh, I am quite sure it is. It is worth ten dollars at least–or twenty,” said poor Mrs. Bell, not in the very best taste. But she was perplexed, and did not know how to get out of the scrape. The article in question now lay upon the table-cloth, appropriated by no one, and at this moment Hetta came into the room.

“It is not worth ten cents,” said Aaron, with something like a frown on his brow. “But as we had been talking about the bridge, I thought Miss Susan would accept it.”

“Accept what?” said Hetta. And then her eye fell upon the drawing and she took it up.

“It is beautifully done,” said Mrs. Bell, wishing much to soften the matter; perhaps the more so that Hetta the demure was now present. “I am telling Mr. Dunn that we can’t take a present of anything so valuable.”

“Oh dear no,” said Hetta. “It wouldn’t be right.”

It was a cold frosty evening in March, and the fire was burning brightly on the hearth. Aaron Dunn took up the drawing quietly– very quietly–and rolling it up, as such drawings are rolled, put it between the blazing logs. It was the work of four evenings, and his chef-d’oeuvre in the way of art.

Susan, when she saw what he had done, burst out into tears. The widow could very readily have done so also, but she was able to refrain herself, and merely exclaimed–“Oh, Mr. Dunn!”

“If Mr. Dunn chooses to burn his own picture, he has certainly a right to do so,” said Hetta.

Aaron immediately felt ashamed of what he had done; and he also could have cried, but for his manliness. He walked away to one of the parlour-windows, and looked out upon the frosty night. It was dark, but the stars were bright, and he thought that he should like to be walking fast by himself along the line of rails towards Balston. There he stood, perhaps for three minutes. He thought it would be proper to give Susan time to recover from her tears.

“Will you please to come to your tea, sir?” said the soft voice of Mrs. Bell.

He turned round to do so, and found that Susan was gone. It was not quite in her power to recover from her tears in three minutes. And then the drawing had been so beautiful! It had been done expressly for her too! And there had been something, she knew not what, in his eye as he had so declared. She had watched him intently over those four evenings’ work, wondering why he did not show it, till her feminine curiosity had become rather strong. It was something very particular, she was sure, and she had learned that all that precious work had been for her. Now all that precious work was destroyed. How was it possible that she should not cry for more than three minutes?