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The Country Of Elusion
by
“A good idea,” said Grainger, mopping the tablecloth with his napkin. “I’ll speak to the waiter about it.”
Kappelman, the painter, was the cut-up. As a piece of delicate Athenian wit he got up from his chair and waltzed down the room with a waiter. That dependent, no doubt an honest, pachydermatous, worthy, tax-paying, art-despising biped, released himself from the unequal encounter, carried his professional smile back to the dumb- waiter and dropped it down the shaft to eternal oblivion. Reeves began to make Keats turn in his grave. Mrs. Pothunter told the story of the man who met the widow on the train. Miss Adrian hummed what is still called a CHANSON in the cafes of Bridgeport. Grainger edited each individual effort with his assistant editor’s smile, which meant: “Great! but you’ll have to send them in through the regular channels. If I were the chief now–but you know how it is.”
And soon the head waiter bowed before them, desolated to relate that the closing hour had already become chronologically historical; so out all trooped into the starry midnight, falling the street with gay laughter, to be barked at by hopeful cabmen and enviously eyed by the dull inhabitants of an uninspired world.
Grainger left Mary at the elevator in the trackless palm forest of the Idealia. After he had gone she came down again carrying a small hand-bag, ‘phoned for a cab, drove to the Grand Central Station, boarded a 12.55 commuter’s train, rode four hours with her burnt- umber head bobbing against the red-plush back of the seat, and landed during a fresh, stinging, glorious sunrise at a deserted station, the size of a peach crate, called Crocusville.
She walked a mile and clicked the latch of a gate. A bare, brown cottage stood twenty yards back; an old man with a pearl-white, Calvinistic face and clothes dyed blacker than a raven in a coal- mine was washing his hands in a tin basin on the front porch. “How are you, father?” said Mary timidly.
“I am as well as Providence permits, Mary Ann. You will find your mother in the kitchen.”
In the kitchen a cryptic, gray woman kissed her glacially on the forehead, and pointed out the potatoes which were not yet peeled for breakfast. Mary sat in a wooden chair and decorticated spuds, with a thrill in her heart.
For breakfast there were grace, cold bread, potatoes, bacon, and tea.
“You are pursuing the same avocation in the city concerning which you have advised us from time to time by letter, I trust,” said her father.
“Yes,” said Mary, “I am still reviewing books for the same publication.”
After breakfast she helped wash the dishes, and then all three sat in straigh-back chairs in the bare-floored parlor.
“It is my custom,” said the old man, “on the Sabbath day to read aloud from the great work entitled the ‘Apology for Authorized and Set Forms of Liturgy,’ by the ecclesiastical philosopher and revered theologian, Jeremy Taylor.”
“I know it,” said Mary blissfully, folding her hands.
For two hours the numbers of the great Jeremy rolled forth like the notes of an oratorio played on the violoncello. Mary sat gloating in the new sensation of racking physical discomfort that the wooden chair brought her. Perhaps there is no happiness in life so perfect as the martyr’s. Jeremy’s minor chords soothed her like the music of a tom-tom. “Why, oh why,” she said to herself, “does some one not write words to it?”
At eleven they went to church in Crocusville. The back of the pine bench on which she sat had a penitential forward tilt that would have brought St. Simeon down, in jealousy, from his pillar. The preacher singled her out, and thundered upon her vicarious head the damnation of the world. At each side of her an adamant parent held her rigidly to the bar of judgment. An ant crawled upon her neck, but she dared not move. She lowered her eyes before the congregation–a hundred-eyed Cerberus that watched the gates through which her sins were fast thrusting her. Her soul was filled with a delirious, almost a fanatic joy. For she was out of the clutch of the tyrant, Freedom. Dogma and creed pinioned her with beneficent cruelty, as steel braces bind the feet of a crippled child. She was hedged, adjured, shackled, shored up, strait-jacketed, silenced, ordered. When they came out the minister stopped to greet them. Mary could only hang her head and answer “Yes, sir,” and “No, sir,” to his questions. When she saw that the other women carried their hymn- books at their waists with their left hands, she blushed and moved hers there, too, from her right.