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Have you ever noticed, on one of those still autumn days before a storm, how here and there a yellow leaf will suddenly detach itself from the bough and whirl through the air as though some warning of the gale had reached it? So it was then in Lombardy. All round was the silence of decay; but now and then a word, a look, a trivial incident, fluttered ominously through the stillness. It was in ’45. Only a year earlier the glorious death of the Bandiera brothers had sent a long shudder through Italy. In the Romagna, Renzi and his comrades had tried to uphold by action the protest set forth in the “Manifesto of Rimini”; and their failure had sowed the seed which d’Azeglio and Cavour were to harvest. Everywhere the forces were silently gathering; and nowhere was the hush more profound, the least reverberation more audible, than in the streets of Milan.

It was Count Roberto’s habit to attend early mass in the Cathedral; and one morning, as he was standing in the aisle, a young girl passed him with her father. Roberto knew the father, a beggarly Milanese of the noble family of Intelvi, who had cut himself off from his class by accepting an appointment in one of the government offices. As the two went by he saw a group of Austrian officers looking after the girl, and heard one of them say: “Such a choice morsel as that is too good for slaves;” and another answer with a laugh: “Yes, it’s a dish for the master’s table!”

The girl heard too. She was as white as a wind-flower and he saw the words come out on her cheek like the red mark from a blow. She whispered to her father, but he shook his head and drew her away without so much as a glance at the Austrians. Roberto heard mass and then hastened out and placed himself in the porch of the Cathedral. A moment later the officers appeared, and they too stationed themselves near the doorway. Presently the girl came out on her father’s arm. Her admirers stepped forward to greet Intelvi; and the cringing wretch stood there exchanging compliments with them, while their insolent stare devoured his daughter’s beauty. She, poor thing, shook like a leaf, and her eyes, in avoiding theirs, suddenly encountered Roberto’s. Her look was a wounded bird that flew to him for shelter. He carried it away in his breast and its live warmth beat against his heart. He thought that Italy had looked at him through those eyes; for love is the wiliest of masqueraders and has a thousand disguises at his command.

Within a month Faustina Intelvi was his wife. Donna Marianna and I rejoiced; for we knew he had chosen her because he loved her, and she seemed to us almost worthy of such a choice. As for Count Andrea and his wife, I leave you to guess what ingredients were mingled in the kiss with which they welcomed the bride. They were all smiles at Roberto’s marriage, and had only words of praise for his wife. Donna Marianna, who had sometimes taxed me with suspecting their motives, rejoiced in this fresh proof of their magnanimity; but for my part I could have wished to see them a little less kind. All such twilight fears, however, vanished in the flush of my friend’s happiness. Over some natures love steals gradually, as the morning light widens across a valley; but it had flashed on Roberto like the leap of dawn to a snow-peak. He walked the world with the wondering step of a blind man suddenly restored to sight; and once he said to me with a laugh: “Love makes a Columbus of every one of us!”

And the Countess–? The Countess, my son, was eighteen, and her husband was forty. Count Roberto had the heart of a poet, but he walked with a limp and his skin was sallow. Youth plucks the fruit for its color rather than its flavor; and first love does not serenade its mistress on a church-organ. In Italy girls are married as land is sold; if two estates adjoin two lives are united. As for the portionless girl, she is a knick-knack that goes to the highest bidder. Faustina was handed over to her purchaser as if she had been a picture for his gallery; and the transaction doubtless seemed as natural to her as to her parents. She walked to the altar like an Iphigenia; but pallor becomes a bride, and it looks well for a daughter to weep on leaving her mother. Perhaps it would have been different if she had guessed that the threshold of her new home was carpeted with love and its four corners hung with tender thoughts of her; but her husband was a silent man, who never called attention to his treasures.