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“All the other printed leaves displayed a complete absence of good taste in dealing with the matter. One boldly asserted that the entire circumstance was the outcome of a foolish jest or wager on the part of a person who possessed a million taels; another predicted that it was a cunning and elaborately thought-out method of obtaining the attention of the people on the part of certain persons who claimed to vend a reliable and fragrantly-scented cleansing substance. The Valley of Hoang Rose Leaves and Sweetness hoped, in a spirit of no sincerity, that the ingenious Kai Lung would not rest on his tea-leaves, but would soon send forth an equally entertaining amended example of the Sayings of Confucious and other sacred works, while the Pure Essence of the Seven Days’ Happenings merely printed side by side portions from the two books under the large inscription, ‘IS THERE REALLY ANY NEED FOR US TO EXPRESS OURSELVES MORE CLEARLY?’

“The disappointment both as regards public esteem and taels–for, after the manner in which the work had been received by those who advise on such productions, not a single example was purchased–threw this ill-destined individual into a condition of most unendurable depression, from which he was only aroused by a remarkable example of the unfailing wisdom of the proverb which says ‘Before hastening to secure a possible reward of five taels by dragging an unobservant person away from a falling building, examine well his features lest you find, when too late, that it is one to whom you are indebted for double that amount.’ Disappointed in the hope of securing large gains from the sale of his great work, this person now turned his attention again to his former means of living, only to find, however, that the discredit in which he had become involved even attached itself to his concise sentence; for in place of the remunerative and honourable manner in which it was formerly received, it was now regarded on all hands with open suspicion. Instead of meekly kow-towing to an evidently pre-arranged doom, the last misfortune aroused this usually resigned story-teller to an ungovernable frenzy. Regarding the accomplished but at the same time exceedingly over-productive Lo Kuan Chang as the beginning of all his evils, he took a solemn oath as a mark of disapproval that he had not been content to inscribe on paper only half of his brilliant thoughts, leaving the other half for the benefit of this hard-striving and equally well-endowed individual, in which case there would have been a sufficiency of taels and of fame for both.

“For a very considerable space of time this person could conceive no method by which he might attain his object. At length, however, as a result of very keen and subtle intellectual searching, and many well-selected sacrifices, it was conveyed by means of a dream that one very ingenious yet simple way was possible. The renowned and universally-admired writings of the distinguished Lo Kuan for the most part take their action within a few dynasties of their creator’s own time: all that remained for this inventive person to accomplish, therefore, was to trace out the entire matter, making the words and speeches to proceed from the mouths of those who existed in still earlier periods. By this crafty method it would at once appear as though the not-too-original Lo Kuan had been indebted to one who came before him for all his most subtle thoughts, and, in consequence, his tomb would become dishonoured and his memory execrated. Without any delay this person cheerfully set himself to the somewhat laborious task before him. Lo Kuan’s well-known exclamation of the Emperor Tsing on the battlefield of Shih-ho, ‘A sedan-chair! a sedan-chair! This person will unhesitatingly exchange his entire and well-regulated Empire for such an article,’ was attributed to an Emperor who lived several thousand years before the treacherous and unpopular Tsing. The new matter of a no less frequently quoted portion ran: ‘O nobly intentioned but nevertheless exceedingly morose Tung-shin, the object before you is your distinguished and evilly-disposed-of father’s honourably-inspired demon,’ the change of a name effecting whatever alteration was necessary; while the delicately-imagined speech beginning ‘The person who becomes amused at matters resulting from double-edged knives has assuredly never felt the effect of a well-directed blow himself’ was taken from the mouth of one person and placed in that of one of his remote ancestors. In such a manner, without in any great degree altering the matter of Lo Kuan’s works, all the scenes and persons introduced were transferred to much earlier dynasties than those affected by the incomparable writer himself, the final effect being to give an air of extreme unoriginality to his really undoubtedly genuine conceptions.