PAGE 8
The Closed Cabinet
by
For a few minutes we stood looking at the cabinet in silence, and then Lucy gave a discontented little sigh. “There’s another tiresome piece of superstition,” she exclaimed; “by far the handsomest piece of furniture in the house stuck away here in a bedroom which is hardly ever used. Again and again have I asked George to let me have it moved downstairs, but he won’t hear of it.”
“Was it not placed here by Dame Alice herself?” I inquired a little reproachfully, for I felt that Lucy was not treating the cabinet with the respect which it really deserved.
“Yes, so they say,” she answered; and the tone of light contempt in which she spoke was now pierced by a not unnatural pride in the romantic mysteries of her husband’s family. “She placed it here, and it is said, you know, that when the closed cabinet is opened, and the mysterious motto is read, the curse will depart from the Mervyn family.”
“But why don’t they break it open?” I asked, impatiently. “I am sure that I would never have remained all my life in a house with a thing like that, and not found out in some way or another what was inside it.”
“Oh, but that would be quite fatal,” answered she. “The curse can only be removed when the cabinet is opened as Dame Alice intended it to be, in an orthodox fashion. If you were to force it open, that could never happen, and the curse would therefore remain for ever.”
“And what is the curse?” I asked, with very different feelings to those with which I had timidly approached the same subject with Alan. Lucy was not a Mervyn, and not a person to inspire awe under any circumstances. My instincts were right again, for she turned away with a slight shrug of her shoulders.
“I have no idea,” she said. “George and Alan always look portentously solemn and gloomy whenever one mentions the subject, so I don’t. If you ask me for the truth, I believe it to be a pure invention, devised by the Mervyns for the purpose of delicately accounting for some of the disreputable actions of their ancestors. For you know, Evie,” she added, with a little laugh, “the less said about the character of the family into which your aunt and I have married the better.”
The remark made me angry, I don’t know why, and I answered stiffly, that as far as I was acquainted with them, I at least saw nothing to complain of.
“Oh, as regards the present generation, no,–except for that poor, wretched Jack,” acquiesced Lucy, with her usual imperturbable good- humor.
“And as regards the next?” I suggested, smiling, and already ashamed of my little temper.
“The next is perfect, of course,–poor dear boys.” She sighed as she spoke, and I wondered whether she was really as unconscious as she generally appeared to be of the strange dissatisfaction with which her husband seemed to regard his children. Anyhow the mention of them had evidently changed her mood, and almost directly afterwards, with the remark that she must go and look after her guests, who had all arrived by now, she left me to myself.
For some minutes I sat by the bright fire, lost in aimless, wandering thought, which began with Dame Alice and her cabinet, and which ended somehow with Alan’s face, as I had last seen it looking up at me in front of the hall-door. When I had reached that point, I roused myself to decide that I had dreamt long enough, and that it was quite time to go down to the guests and to tea. I accordingly donned my best teagown, arranged my hair, and proceeded towards the drawing-room. My way there lay through the great central hall. This apartment was approached from most of the bedrooms in the house through a large, arched doorway at one end of it, which communicated directly with the great staircase. My bedroom, however, which, as I have said, lay among the private apartments of the house, opened into a passage which led into a broad gallery, or upper chamber, stretching right across the end of the hall. From this you descended by means of a small staircase in oak, whose carved balustrade, bending round the corner of the hall, formed one of the prettiest features of the picturesque old room. The barrier which ran along the front of the gallery was in solid oak, and of such a height that, unless standing close up to it, you could neither see nor be seen by the occupants of the room below. On approaching this gallery I heard voices in the hall. They were George’s and Alan’s, evidently in hot discussion. As I issued from the passage, George was speaking, and his voice had that exasperated tone in which an angry man tries to bring to a close an argument in which he has lost his temper. “For heaven’s sake leave it alone, Alan; I neither can nor will interfere. We have enough to bear from these cursed traditions as it is, without adding one which has no foundation whatever to justify it–a mere contemptible piece of superstition.”