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PAGE 17

The Closed Cabinet
by [?]

The cabinet was open!

I looked away, and back, and again. There was no room for doubt. The doors were thrown back, and were waving gently in the draught. One of the lower drawers was pulled out, and in a sudden flare of the candle-light I could see something glistening at its bottom. Then the light dwindled again, the candle was almost out, and the cabinet showed a dim black mass in the darkness. Up and down went the flame, and each returning brightness flashed back at me from the thing inside the drawer. I stood fascinated, my eyes fixed upon the spot, waiting for the fitful glitter as it came and went. What was there there? I knew that I must go and see, but I did not want to. If only the cabinet would close again before I looked, before I knew what was inside it. But it stood open, and the glittering thing lay there, dragging me towards itself.

Slowly at last, and with infinite reluctance, I went. The drawer was lined with soft white satin, and upon the satin lay a long, slender knife, hilted and sheathed in antique silver, richly set with jewels. I took it up and turned back to the table to examine it. It was Italian in workmanship, and I knew that the carving and chasing of the silver were more precious even than the jewels which studded it, and whose rough setting gave so firm a grasp to my hand. Was the blade as fair as the covering, I wondered? A little resistance at first, and then the long thin steel slid easily out. Sharp, and bright, and finely tempered it looked with its deadly, tapering point. Stains, dull and irregular, crossed the fine engraving on its surface and dimmed its polish. I bent to examine them more closely, and as I did so a sudden stronger gust of wind blew out the candle. I shuddered a little at the darkness and looked up. But it did not matter: the curtain was still drawn away from the window opposite my bedside, and through it a flood of moonlight was pouring in upon floor and bed.

Putting the sheath down upon the table, I walked to the window to examine the knife more closely by that pale light. How gloriously brilliant it was! darkened now and again by the quickly passing shadows of wind-driven clouds. At least so I thought, and I glanced up and out of the window to see them. A black world met my gaze. Neither moon was there nor moonlight: the broad silver beam in which I stood stretched no farther than the window. I caught my breath, and my limbs stiffened as I looked. No moon, no cloud, no movement in the clear, calm, starlit sky; while still the ghastly light stretched round me, and the spectral shadows drifted across the room.

But it was not all dark outside: one spot caught my eye, bright with a livid unearthly brightness–the Dead Stone shining out into the night like an ember from hell’s furnace! There was a horrid semblance of life in the light,–a palpitating, breathing glow,– and my pulses beat in time to it, till I seemed to be drawing it into my veins. It had no warmth, and as it entered my blood my heart grew colder, and my muscles more rigid. My fingers clutched the dagger-hilt till its jeweled roughness pressed painfully into my palm. All the strength of my strained powers seemed gathered in that grasp, and the more tightly I held the more vividly did the rock gleam and quiver with infernal life. The dead woman! The dead woman! What had I to do with her? Let her bones rest in the filth of their own decay,–out there under the accursed stone.

And now the noise of the wind lessens in my ears. Let it go on,– yes, louder and wilder, drowning my senses in its tumult. What is there with me in the room–the great empty room behind me? Nothing; only the cabinet with its waving doors. They are waving to and fro, to and fro–I know it. But there is no other life in the room but that–no, no; no other life in the room but that.