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PAGE 3

The Christening In The Village
by [?]

And the Volga forgave the little Vazouza, and took her by the hand and brought her safely to the sea. And they have never quarrelled again. But all the same, it is always the little Vazouza that gets up first in the spring, and tugs at the white blankets of ice and snow, and wakes her big sister from her winter sleep.

* * * * *

They drove on over the flat open country, with no hedges, but only ditches to drain off the floods, and very often not even ditches to divide one field from another. And huge crows, with gray hoods and shawls, pecked about in the grass at the roadside or flew heavily in the sunshine. They passed a little girl with a flock of geese, and another little girl lying in the grass holding a long rope which was fastened to the horns of a brown cow. And the little girl lay on her face and slept among the flowers, while the cow walked slowly round her, step by step, chewing the grass and thinking about nothing at all.

And at last they came to the village, where the road was wider; and instead of one pair of ruts there were dozens, and the cart bumped worse than ever. The broad earthy road had no stones in it; and in places where the puddles would have been deeper than the axles of the wheels, it had been mended by laying down fir logs and small branches in the puddles, and putting a few spadefuls of earth on the top of them.

The road ran right through the village. On either side of it were little wooden huts. The ends of the timbers crossed outside at the four corners of the huts. They fitted neatly into each other, and some of them were carved. And there were no slates or tiles on the roofs, but little thin slips of wood overlapping each other. There was not a single stone hut or cottage in the village. Only the church was partly brick, whitewashed, with bright green cupolas up in the air, and thin gold crosses on the tops of the cupolas, shining in the clear sky.

Outside the church were rows of short posts, with long rough fir timbers nailed on the top of them, to which the country people tied their horses when they came to church. There were several carts there already, with bright-coloured rugs lying on the hay in them; and the horses were eating hay or biting the logs. Always, except when the logs are quite new, you can tell the favourite places for tying up horses to them, because the timbers will have deep holes in them, where they have been gnawed away by the horses’ teeth. They bite the timbers, while their masters eat sunflower seeds, not for food, but to pass the time.

“Now then,” said old Peter, as he got down from the cart, tied the horse, gave him an armful of hay from the cart, and lifted the children out. “Be quick. We shall be late if we don’t take care. I believe we are late already.–Good health to you, Fedor,” he said to an old peasant; “and has the baby gone in?”

“He has, Peter. And my health is not so bad; and how is yours?”

“Good also, Fedor, thanks be to God. And will you see to these two? for I am a godparent, and must be near the priest.”

“Willingly,” said the old peasant Fedor. “How they do grow, to be sure, like young birch trees. Come along then, little pigeons.”

Old Peter hurried into the church, followed by Fedor with Vanya and Maroosia. They all crossed themselves and said a prayer as they went in.

The ceremony was just beginning.

The priest, in his silk robes, was standing before the gold and painted screen at the end of the church, and there were the basin of holy water, and old Peter’s sister, and the nurse Babka Tanya, very proud, holding the baby in a roll of white linen, and rocking it to and fro. There were coloured pictures of saints all over the screen, which stretches from one side of the church to the other. Some of the pictures were framed in gilt frames under glass, and were partly painted and partly metal. The faces and hands of the saints were painted, and their clothes were glittering silver or gold. Little lamps were burning in front of them, and candles.