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One door from the corner he beheld the barber shop of Mr. Discopolos, which reminded him that he needed a haircut. He might not have time to get one in New York before he saw the steamship directors. The shop was bright, and Mr. Discopolos, by the window in a white jacket, was clean and jolly.

Palmer McGee popped into the shop and caroled “Haircut; medium. ” Magnetized by Mr. Discopolos’ long light fingers he closed his eyes and dreamed of his future.

About the middle of the haircut the morning’s morning of Mr. Discopolos rose up and jostled him and dimmed his eyes, with the result that he cut too deep a swath of hair across the back of Mr. McGee’s sleek head. Mr. Discopolos sighed, and peeped at the victim to see if he was aware of the damage. But Mr. McGee was sitting with eyes tight, lips apart, alre
ady a lord of ocean traffic, giving orders to Singhalese planters and to traders in the silent northern pines.

Mr. Discopolos remembered the high-shaved neck of the corner loafer, and imitated that model. He ruthlessly concealed the too-deep slash by almost denuding the back of Mr. McGee’s head. That erstwhile polite neck stood out as bare as an ostrich.

Being an artist, Mr. Discopolos had to keep the symmetry—the rhythm—correct, so he balanced the back by also removing too much hair from in front—from above Mr. McGee’s Yalensian ears.

When the experiment was complete, Mr. McGee looked like a bald young man with a small wig riding atop his head. He looked like a wren’s nest on top of a clothes pole. He looked painstakingly and scientifically skinned. At least it was thus that he saw himself in the barber’s mirror when he opened his eyes.

He called on a number of deities; he said he wanted to assassinate Mr. Discopolos. But he hadn’t time for this work of mercy. He had to catch his train. He took his maltreated head into a taxi, feeling shamefully that the taxi driver was snickering at his haircut.

Left behind, untipped and much berated, Mr. Discopolos grumbled, “I did take off a little too much; but rats, he’ll be all right in couple of weeks. What’s couple of weeks? Believe I’ll go get a drink. ”

Thus, as ignorant as they of taking any part in a progressive tragedy, Mr. Discopolos joined Willis Stodeport, Adolphus Josephus, Mrs. Dolson and the too-generous conductor of Car 22, in the darkness of unimportance, while Palmer McGee was on the Pullman— and extremely wretched.

He fancied that everyone from the porter to the silken girl across the aisle was snickering at his eccentric coiffure. To Mr. McGee, queerness of collar or hair or slang was more wicked than murder. He had rigidly trained himself to standards in everything. There were, for example, only three brands of whisky on which a gentleman could decently get edged. He was the most dependable young man in the general offices of the M. & D. R. R. , and before that he had been so correctly pleasant to the right fellows and so correctly aloof with the wrong fellows, so agreeably pipe-smoking and laudatory of athletics, that he had made both junior and senior societies at Yale. He had had no experience to teach him to bear up under this utter disgrace of a variation from the standard of haircutting.

As the train relentlessly bore him on toward New York he now and then accumulated courage to believe that his haircut couldn’t be so bad as he knew it was. He would stroll with noble casualness into the smoking compartment, and the instant it was free of other passengers he would dart at the mirror. Each time he made the same quaking discovery that he was even more ridiculous than he remembered.