PAGE 7
The Broken Swords
by
He found also, at first, that the unrelaxing attention requisite for the mastering of the many niceties of his work, of necessity drew his mind somewhat from its brooding over his misfortune, hitherto almost ceaseless. Every now and then, however, a pang would shoot suddenly to his heart, and turn his face pale, even before his consciousness had time to inquire what was the matter. So by degrees, as attention became less necessary, and the nervo-mechanical action of his system increased with use, his thoughts again returned to their old misery. He would wake at night in his poor room, with the feeling that a ghostly nightmare sat on his soul; that a want–a loss–miserable, fearful–was present; that something of his heart was gone from him; and through the darkness he would hear the snap of the breaking sword, and lie for a moment overwhelmed beneath the assurance of the incredible fact. Could it be true that he was a coward? that his honour was gone, and in its place a stain? that he was a thing for men–and worse, for women–to point the finger at, laughing bitter laughter? Never lover or husband could have mourned with the same desolation over the departure of the loved; the girl alone, weeping scorching tears over her degradation, could resemble him in his agony, as he lay on his bed, and wept and moaned.
His sufferings had returned with the greater weight, that he was no longer upheld by the “divine air” and the open heavens, whose sunlight now only reached him late in an afternoon, as he stood at his loom, through windows so coated with dust that they looked like frosted glass; showing, as it passed through the air to fall on the dirty floor, how the breath of life was thick with dust of iron and wood, and films of cotton; amidst which his senses were now too much dulled by custom to detect the exhalations from greasy wheels and overtasked human-kind. Nor could he find comfort in the society of his fellow-labourers. True, it was a kind of comfort to have those near him who could not know of his grief; but there was so little in common between them, that any interchange of thought was impossible. At least, so it seemed to him. Yet sometimes his longing for human companionship would drive him out of his dreary room at night, and send him wandering through the lower part of the town, where he would gaze wistfully on the miserable faces that passed him, as if looking for some one–some angel, even there–to speak goodwill to his hungry heart.
Once he entered one of those gin-palaces, which, like the golden gates of hell, entice the miserable to worse misery, and seated himself close to a half-tipsy, good-natured wretch, who made room for him on a bench by the wall. He was comforted even by this proximity to one who would not repel him. But soon the paintings of warlike action–of knights, and horses, and mighty deeds done with battle-axe, and broad-sword, which adorned the–panels all round, drove him forth even from this heaven of the damned; yet not before the impious thought had arisen in his heart, that the brilliantly painted and sculptural roof, with the gilded vine-leaves and bunches of grapes trained up the windows, all lighted with the great shining chandeliers, was only a microcosmic repetition of the bright heavens and the glowing earth, that overhung and surrounded the misery of man. But the memory of how kindly they had comforted and elevated him, at one period of his painful history, not only banished the wicked thought, but brought him more quiet, in the resurrection of a past blessing, than he had known for some time. The period, however, was now at hand when a new grief, followed by a new and more elevated activity, was to do its part towards the closing up of the fountain of bitterness.