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When he arrived at it, Potter’s house presented the same still front as had the other adobes. Taking up a strategic position, the man howled a challenge. But this house regarded him as might a great stone god. It gave no sign. After a decent wait, the man howled further challenges, mingling with them wonderful epithets.

Presently there came the spectacle of a man churning himself into deepest rage over the immobility of a house. He fumed at it as the winter wind attacks a prairie cabin in the North. To the distance there should have gone the sound of a tumult like the fighting of two hundred Mexicans. As necessity bade him, he paused for breath or to reload his revolvers.

IV

Potter and his bride walked sheepishly and with speed. Sometimes they laughed together shamefacedly and low.

“Next corner, dear,” he said finally.

They put forth the efforts of a pair walking bowed against a strong wind. Potter was about to raise a finger to point the first appearance of the new home when, as they circled the corner, they came face to face with a man in a maroon-colored shirt who was feverishly pushing cartridges into a large revolver. Upon the instant the man dropped his revolver to the ground, and, like lightning, whipped another from its holster. The second weapon was aimed at the bridegroom’s chest.

There was silence. Potter’s mouth seemed to be merely a grave for his tongue. He exhibited an instinct to at once loosen his arm from the woman’s grip, and he dropped the bag to the sand. As for the bride, her face had gone as yellow as old cloth. She was a slave to hideous rites gazing at the apparitional snake.

The two men faced each other at a distance of three paces. He of the revolver smiled with a new and quiet ferocity.

“Tried to sneak up on me,” he said.”Tried to sneak up on me!”His eyes grew more baleful. As Potter made a slight movement, the man thrust his revolver venomously forward.”No, don’t you do it, Jack Potter. Don’t you move a finger toward a gun just yet. Don’t you move an eyelash. The time has come for me to settle with you, and I’m goin’ to do it my own way and loaf along with no interferin’. So if you don’t want a gun bent on you, just mind what I tell you.”

Potter looked at his enemy.”I ain’t got a gun on me, Scratchy,” he said.”Honest, I ain’t.”He was stiffening and steadying, but yet somewhere at the back of his mind a vision of the Pullman floated, the sea-green figured velvet, the shining brass, silver, and glass, the wood that gleamed as darkly brilliant as the surface of a pool of oil — all the glory of the marriage, the environment of the new estate.”You know I fight when it comes to fighting, Scratchy Wilson, but I ain’t got a gun on me. You’ll have to do all the shootin’ yourself.”

His enemy’s face went livid. He stepped forward and lashed his weapon to and fro before Potter’s chest.”Don’t you tell me you ain’t got no gun on you, you whelp. Don’t tell me no lie like that. There ain’t a man in Texas ever seen you without no gun. Don’t take me for no kid.”His eyes blazed with light, and his throat worked like a pump.

“I ain’t takin’ you for no kid,” answered Potter. His heels had not moved an inch backward.”I’m takin’ you for a —— fool. I tell you I ain’t got a gun, and I ain’t. If you’re goin’ to shoot me up, you better begin now. You’ll never get a chance like this again.”

So much enforced reasoning had told on Wilson’s rage. He was calmer.”If you ain’t got a gun, why ain’t you got a gun?” he sneered.”Been to Sunday-school?”

“I ain’t got a gun because I’ve just come from San Anton’ with my wife. I’m married,” said Potter.”And if I’d thought there was going to be any galoots like you prowling around when I brought my wife home, I’d had a gun, and don’t you forget it.”