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PAGE 3

The Bishop Of Eucalyptus
by [?]

“‘Floncemorency.’

“‘Miss Florence Montmorency?’ I hazarded as a translation.

“‘That’s so. Formerly of the Haughty Coal.’

“‘I beg your pardon? Ah! . . . of the Haute Ecole?’

“‘That’s so: ‘questrienne.’

“‘Well, you’ll take my advice, and return home at once and put yourself to bed.’

“‘Don’t you worry about me. It’s the Bishop you’ve got to prescribe for. I allowed I’d reach Cornice House and fetch you down, if it took my last breath. Pete Stroebel at the drug store told me this morning that Mr. Hewson had a doctor come to stop with him, so I started right along.’

“‘And how far did you calculate to reach in those shoes?’

“‘I didn’t calculate at all; I just started along. If the shoes had hurt, I’d have kicked them off and gone without, or maybe crawled.’

“‘Very good,’ said I. ‘Now, before we go any farther, will you kindly tell me who the Bishop is?’

“‘He’s a young man, and he boards with me. See here, mister,’ she went on, pulling herself together and speaking low and earnest, ‘he’s good; he’s good right through: you’ve got to make up your mind to that. And he’s powerful sick. But what you’ve got to lay hold of is that he’s good. The house is No. 67, West fifteenth Street, which is pretty easy to find, seeing it’s the only street in Eucalyptus. The rest haven’t got beyond paper, and old Huz-and-Buz totes them round in his pocket, which isn’t good for their growth.’

“‘Won’t you take me there?’

“‘Not to-day. I guess I’ve got to sit here till I feel better. Another thing is, you’ll be doing me a kindness if you don’t let on to the Bishop that you found me in this–this state. He never saw me like this: he’s good, I tell you. And he’d be sick and sorry if he knew. I’m just mad with myself, too; but I swear I never meant to be like this to-day. I just took a dose to fix me up for the journey; but ever since I’ve been holding off from the whisky the least drop gets into my walk. You didn’t happen to notice a spring anywhere hereabouts, did you? There used to be one that ran right across the track.’

“‘I passed it about a hundred yards back.’

“I dismounted and led her to the spring, where she knelt and bathed her face in the water, cold from the melting snowfields above. Then she pulled out a small handkerchief, edged with cheap lace, and fell to dabbing her eyes.

“‘Hullo!’ she cried, breaking off sharply.

“‘Yes,’ I answered, ‘you had forgotten that. But another wash will take it all off, and, if you’ll forgive my saying so, you won’t look any the worse. After that you shall soak my handkerchief and bandage it round your forehead till you feel better. Here, let me help.’

“‘Thank you,’ she said, as I tied the knot. ‘And now hurry along, please. Sixty-seven, West Fifteenth Street. I’ll be waiting here with your handkerchief.’

“I mounted and rode on. At the end of half a mile the track began to dip more steeply, and finally emerged by a big clearing and the two marble pillars of which Hewson had spoken; and here I tethered the brown horse, and had a look around before walking down into Eucalyptus. Within the clearing a few groups of Norfolk pines had been left to stand, and between these were burial lots marked out and numbered, with here and there a painted wooden cross; but the inhabitants of this acre were few enough. Behind and above the ‘Necropolis’ the hill rose steeply; and there, high up, were traces of the disused cinnabar mines–patches of orange-coloured earth thrusting out among the pines.

“The road below the cemetery ran abruptly down for a bit, then heaved itself over a green knoll and descended upon what I may call a very big and flat meadow beside the river. It was here that Eucalyptus stood; and from the knoll, which was really the beginning of the town, I had my first good view of it–one long street of low wooden houses running eastward to the river’s brink, where a few decayed mills and wharves straggled to north and south–a T, or headless cross, will give you roughly the shape of the settlement. From the knoll you looked straight along the main street; with a field-gun you could have swept it clean from end to end, and, what’s more, you wouldn’t have hurt a soul. The place was dead empty–not so much as a cur to sit on the sidewalk–and the only hint of life was the laughing and banjo-playing indoors. You could hear that plain enough. Every second house in the place was a saloon, and every saloon seemed to have a billiard-table and a banjo player. I never heard anything like it. I should say, if you divided the population into four parts, that two of these were playing billiards, one tum-tumming ‘Hey, Juliana’ on the banjo, and the remaining fourth looking on and drinking whisky, and occasionally taking part in the chorus. All the way down the sidewalk I had these two sounds–the click, click of the balls and the thrum, thrum, tinkle, tinkle of ‘Juliana’–ahead of me; and left silence in my wake, as the inhabitants dropped their occupations and sauntered out to stare at ‘the Last Invalid,’ which was the name promptly coined for me by the disheartened but still humorous promoters of America’s Peerless Sanatorium.