**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

The Bar Sinister
by [?]

PART I

The Master was walking most unsteady, his legs tripping each other. After the fifth or sixth round, my legs often go the same way.

But even when the Master’s legs bend and twist a bit, you mustn’t think he can’t reach you. Indeed, that is the time he kicks most frequent. So I kept behind him in the shadow, or ran in the middle of the street. He stopped at many public-houses with swinging doors, those doors that are cut so high from the sidewalk that you can look in under them, and see if the Master is inside. At night when I peep beneath them the man at the counter will see me first and say, “Here’s the Kid, Jerry, come to take you home. Get a move on you,” and the Master will stumble out and follow me. It’s lucky for us I’m so white, for no matter how dark the night, he can always see me ahead, just out of reach of his boot. At night the Master certainly does see most amazing. Sometimes he sees two or four of me, and walks in a circle, so that I have to take him by the leg of his trousers and lead him into the right road. One night, when he was very nasty- tempered and I was coaxing him along, two men passed us and one of them says, “Look at that brute!” and the other asks “Which?” and they both laugh. The Master, he cursed them good and proper.

This night, whenever we stopped at a public-house, the Master’s pals left it and went on with us to the next. They spoke quite civil to me, and when the Master tried a flying kick, they gives him a shove. “Do you want we should lose our money?” says the pals.

I had had nothing to eat for a day and a night, and just before we set out the Master gives me a wash under the hydrant. Whenever I am locked up until all the slop-pans in our alley are empty, and made to take a bath, and the Master’s pals speak civil, and feel my ribs, I know something is going to happen. And that night, when every time they see a policeman under a lamp-post, they dodged across the street, and when at the last one of them picked me up and hid me under his jacket, I began to tremble; for I knew what it meant. It meant that I was to fight again for the Master.

I don’t fight because I like it. I fight because if I didn’t the other dog would find my throat, and the Master would lose his stakes, and I would be very sorry for him and ashamed. Dogs can pass me and I can pass dogs, and I’d never pick a fight with none of them. When I see two dogs standing on their hind-legs in the streets, clawing each other’s ears, and snapping for each other’s windpipes, or howling and swearing and rolling in the mud, I feel sorry they should act so, and pretend not to notice. If he’d let me, I’d like to pass the time of day with every dog I meet. But there’s something about me that no nice dog can abide. When I trot up to nice dogs, nodding and grinning, to make friends, they always tell me to be off. “Go to the devil!” they bark at me; “Get out!” and when I walk away they shout “mongrel,” and “gutter-dog,” and sometimes, after my back is turned, they rush me. I could kill most of them with three shakes, breaking the back-bone of the little ones, and squeezing the throat of the big ones. But what’s the good? They are nice dogs; that’s why I try to make up to them, and though it’s not for them to say it, I am a street-dog, and if I try to push into the company of my betters, I suppose it’s their right to teach me my place.