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The Author of Beltraffio
by
Mark Ambient called again, and Dolcino struggled in the maternal embrace; but, too tightly held, he after two or three fruitless efforts jerked about and buried his head deep in his mother’s lap. There was a certain awkwardness in the scene; I thought it odd Mrs. Ambient should pay so little attention to her husband. But I wouldn’t for the world have betrayed my thought, and, to conceal it, I began loudly to rejoice in the prospect of our having tea in the garden. “Ah she won’t let him come!” said my host with a sigh; and we went our way till we reached the two ladies. He mentioned my name to his wife, and I noticed that he addressed her as “My dear,” very genially, without a trace of resentment at her detention of the child. The quickness of the transition made me vaguely ask myself if he were perchance henpecked–a shocking surmise which I instantly dismissed. Mrs. Ambient was quite such a wife as I should have expected him to have; slim and fair, with a long neck and pretty eyes and an air of good breeding. She shone with a certain coldness and practised in intercourse a certain bland detachment, but she was clothed in gentleness as in one of those vaporous redundant scarves that muffle the heroines of Gainsborough and Romney. She had also a vague air of race, justified by my afterwards learning that she was “connected with the aristocracy.” I have seen poets married to women of whom it was difficult to conceive that they should gratify the poetic fancy–women with dull faces and glutinous minds, who were none the less, however, excellent wives. But there was no obvious disparity in Mark Ambient’s union. My hostess–so far as she could be called so–delicate and quiet, in a white dress, with her beautiful child at her side, was worthy of the author of a work so distinguished as “Beltraffio.” Round her neck she wore a black velvet ribbon, of which the long ends, tied behind, hung down her back, and to which, in front, was attached a miniature portrait of her little boy. Her smooth shining hair was confined in a net. She gave me an adequate greeting, and Dolcino–I thought this small name of endearment delightful–took advantage of her getting up to slip away from her and go to his father, who seized him in silence and held him high for a long moment, kissing him several times.
I had lost no time in observing that the child, not more than seven years old, was extraordinarily beautiful. He had the face of an angel–the eyes, the hair, the smile of innocence, the more than mortal bloom. There was something that deeply touched, that almost alarmed, in his beauty, composed, one would have said, of elements too fine and pure for the breath of this world. When I spoke to him and he came and held out his hand and smiled at me I felt a sudden strange pity for him–quite as if he had been an orphan or a changeling or stamped with some social stigma. It was impossible to be in fact more exempt from these misfortunes, and yet, as one kissed him, it was hard to keep from murmuring all tenderly “Poor little devil!” though why one should have applied this epithet to a living cherub is more than I can say. Afterwards indeed I knew a trifle better; I grasped the truth of his being too fair to live, wondering at the same time that his parents shouldn’t have guessed it and have been in proportionate grief and despair. For myself I had no doubt of his evanescence, having already more than once caught in the fact the particular infant charm that’s as good as a death-warrant.