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The Artist of the Beautiful
by
After the old watchmaker and his pretty daughter had gazed at him out of the obscurity of the street, Owen Warland was seized with a fluttering of the nerves, which made his hand tremble too violently to proceed with such delicate labor as he was now engaged upon.
“It was Annie herself!” murmured he. “I should have known it, by this throbbing of my heart, before I heard her father’s voice. Ah, how it throbs! I shall scarcely be able to work again on this exquisite mechanism to-night. Annie! dearest Annie! thou shouldst give firmness to my heart and hand, and not shake them thus; for if I strive to put the very spirit of beauty into form and give it motion, it is for thy sake alone. O throbbing heart, be quiet! If my labor be thus thwarted, there will come vague and unsatisfied dreams which will leave me spiritless to-morrow.”
As he was endeavoring to settle himself again to his task, the shop door opened and gave admittance to no other than the stalwart figure which Peter Hovenden had paused to admire, as seen amid the light and shadow of the blacksmith’s shop. Robert Danforth had brought a little anvil of his own manufacture, and peculiarly constructed, which the young artist had recently bespoken. Owen examined the article and pronounced it fashioned according to his wish.
“Why, yes,” said Robert Danforth, his strong voice filling the shop as with the sound of a bass viol, “I consider myself equal to anything in the way of my own trade; though I should have made but a poor figure at yours with such a fist as this,” added he, laughing, as he laid his vast hand beside the delicate one of Owen. “But what then? I put more main strength into one blow of my sledge hammer than all that you have expended since you were a ‘prentice. Is not that the truth?”
“Very probably,” answered the low and slender voice of Owen. “Strength is an earthly monster. I make no pretensions to it. My force, whatever there may be of it, is altogether spiritual.”
“Well, but, Owen, what are you about?” asked his old school-fellow, still in such a hearty volume of tone that it made the artist shrink, especially as the question related to a subject so sacred as the absorbing dream of his imagination. “Folks do say that you are trying to discover the perpetual motion.”
“The perpetual motion? Nonsense!” replied Owen Warland, with a movement of disgust; for he was full of little petulances. “It can never be discovered. It is a dream that may delude men whose brains are mystified with matter, but not me. Besides, if such a discovery were possible, it would not be worth my while to make it only to have the secret turned to such purposes as are now effected by steam and water power. I am not ambitious to be honored with the paternity of a new kind of cotton machine.”
“That would be droll enough!” cried the blacksmith, breaking out into such an uproar of laughter that Owen himself and the bell glasses on his work-board quivered in unison. “No, no, Owen! No child of yours will have iron joints and sinews. Well, I won’t hinder you any more. Good night, Owen, and success, and if you need any assistance, so far as a downright blow of hammer upon anvil will answer the purpose, I’m your man.”
And with another laugh the man of main strength left the shop.
“How strange it is,” whispered Owen Warland to himself, leaning his head upon his hand, “that all my musings, my purposes, my passion for the beautiful, my consciousness of power to create it,–a finer, more ethereal power, of which this earthly giant can have no conception,–all, all, look so vain and idle whenever my path is crossed by Robert Danforth! He would drive me mad were I to meet him often. His hard, brute force darkens and confuses the spiritual element within me; but I, too, will be strong in my own way. I will not yield to him.”