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SYRACUSE, Oct. 18th, 1869.
Henry Morton, Prof. in Pennsylvania University and Franklin Institute:

DEAR SIR:–On Saturday last, some laborers engaged in digging a well on the farm of W.C. Newell, near the village of Cardiff, about 13 miles south of this city, discovered, lying at about three feet below the surface of the earth, what they supposed to be the “petrified body” of a human being, of colossal size. Its length is ten feet and three inches, and the rest of the body is proportionately large. The excitement in this locality over the discovery is immense and unprecedented. Thousands have visited the locality within the last three days, and the general opinion seems to be that the discovery was the “petrified body” of a human being.

I spent most of yesterday and to-day, at the location of the so-called “FOSSIL MAN,” and made a survey of the surroundings of the place where this wonderful curiosity was found. On a careful examination, I am convinced that it is not a fossil, but was cut from a piece of stratified sulphate of lime, (known as the Onondaga Gypsum.) If it were pulverized or ground, a farmer would call it plaster. It was quarried, probably, somewhere in this county, from our Gypsum beds. The layers are of different colors–dark and light. The statue was evidently designed to lie on its back, or partially so, and represents a dead person in a position he would naturally assume when dying. The body lies nearly upon the back, the right side a little lower; the head leaning a little to the right. The legs lie nearly one above the other; the feet partially crossed. The toe of the right foot, a little lower, showing plainly, that the statue was never designed to stand erect upon its feet. The left arm lies down by the left side of the body, the forearm and hand being partially covered by the body. The right hand rests a short distance below the umbilicus, the little finger spreading from the others, reaching to the pubes. The whole statue evidently represents the position that a body would naturally take at the departure of life.

There is perfect harmony in the different proportions of the different parts of the statue. The features are strictly Caucasian, having not the high bones of the Indian type, neither the outlines of the Negro race, and being entirely unlike any statuary yet discovered of Aztec or Indian origin. The chin is magnificent and generous; the eyebrow, or supercilliary ridge, is well arched; the mouth is pleasant; the brow and forehead are noble, and the “Adam’s apple” has a full development. The external genital organs are large; but that which represents the integuments, would lead us the conclusion that the artist did not wish to represent the erectal tissues injected.

The statue, being colossal and massive, strikes the beholder with a feeling of awe. Some portions of the features would remind one of the bust of De Witt Clinton, and others of the Napoleonic type. My opinion is that this piece of statuary was made to represent some person of Caucasian origin, and designed by the artist to perpetuate the memory of a great mind and noble deeds. It would serve to impress inferior minds or races with the great and noble, and for this purpose only was sculptured of colossal dimensions. The block of gypsum is stratified, and a dark stratum passes just below the outer portion of the left eyebrow, appears again on the left breast, having been chiseled out between the eyebrow and chest, and makes its appearance again in a portion of the hip. Some portions of the strata are dissolved more than others by the action of the water, leaving a bolder outcroping along the descent of the breast toward the neck. The same may, less distinctly, be seen on the side of the face and head. I think that this piece of reclining statuary is not 300 years old, but is the work of the early Jesuit Fathers of this country, who are known to have frequented the Onondaga Valley from 220 to 250 years ago; that it would probably bear a date in history corresponding with the monumental stone which was found at Pompey Hill, in this county, and now deposited in the Academy at Albany. There are no marks of violence upon the work; had it been an image or idol of worship by the Indians, it could have been easily destroyed or mutilated with a slight blow by a small stone, and the toes and fingers could have been easily broken off. It lay in quicksand, which, in turn, rested upon compact clay.