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Ribot had rolled on his back and after giving a few feeble twitches of his great legs, remained without life, his legs pointing stiffly into the air.

“He is dead,” said Klingenspiel, and Nora was unable to tell whether relief and joy or regret and despair predominated in this utterance. “Ribot is dead. Our lives are saved, my experiment is ruined.”

Turning toward Nora and scrutinizing her attentively for the first time, he remarked, “How white your face is. The strain has been a dreadful one. It has driven all the color away from you.” And then letting his eyes wander over her person until they paused upon her hands resting in the moonlight upon the top of the sash, “and how green your hands are. What can it be? Paris green,” he said after a close examination. “It was that which killed Ribot.”

“I remember now. Father was sprinkling something on them. It is cabbage worm time.”

“I hope you will allow me to call,” said Klingenspiel, and Nora graciously assenting, he continued: “I admire your beauty, I admire your many admirable qualities of head and heart, but above all, your decision, your great decision.”

“Oh, I don’t think I showed much decision just because I threw the cabbage out.”

“I referred to your taking my ear and learning, out of its due order in the thesis I was expounding, what manner of beast Ribot was. Ribot killed two of my best African geese. They are, however, still fit for food. I am going to beg your acceptance of one.”

“We will have it for dinner to-morrow,” said Nora, “and you must come over.”

“I shall be pleased to do so,” said Klingenspiel, and that was the beginning of a series of visits to the home of Timothy Sullivan that resulted in the marriage of Miss Nora and Wilhelm Klingenspiel. The latter still raises African geese there in the vicinity of Stony Island, but he has made no more experiments with guinea pigs, for his wife will not hear to it.