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The Adelantado Of The Seven Cities
by
His brain began to spin. He sought tho office of the Minister of Marine, and made a report of his expedition, and of the Island of the Seven Cities, which he had so fortunately discovered. No body knew any thing of such an expedition, or such an island. He declared that he had undertaken the enterprise under a formal contract with the crown, and had received a regular commission, constituting him Adelantado. This must be matter of record, and he insisted loudly, that the books of the department should be consulted. The wordy strife at length attracted the attention of an old, gray-headed clerk, who sat perched on a high stool, at a high desk, with iron-rimmed spectacles on the top of a thin, pinched nose, copying records into an enormous folio. He had wintered and summered in the department for a great part of a century, until he had almost grown to be a piece of the desk at which he sat; his memory was a mere index of official facts and documents, and his brain was little better than red tape and parchment. After peering down for a time from his lofty perch, and ascertaining the matter in controversy, he put his pen behind his ear, and descended. He remembered to have heard something from his predecessor about an expedition of the kind in question, but then it had sailed during the reign of Don Ioam II., and he had been dead at least a hundred years. To put the matter beyond dispute, however, the archives of the Torve do Tombo, that sepulchre of old Portuguese documents, were diligently searched, and a record was found of a contract between the crown and one Fernando de Ulmo, for the discovery of the Island of the Seven Cities, and of a commission secured to him as Adelantado of the country he might discover.
“There!” cried Don Fernando, triumphantly, “there you have proof, before your own eyes, of what I have said. I am the Fernando de Ulmo specified in that record. I have discovered the Island of the Seven Cities, and am entitled to be Adelantado, according to contract.”
The story of Don Fernando had certainly, what is pronounced the best of historical foundation, documentary evidence; but when a man, in the bloom of youth, talked of events that had taken place above a century previously, as having happened to himself, it is no wonder that he was set down for a mad man.
The old clerk looked at him from above and below his spectacles, shrugged his shoulders, stroked his chin, reascended his lofty stool, took the pen from behind his ears, and resumed his daily and eternal task, copying records into the fiftieth volume of a series of gigantic folios. The other clerks winked at each other shrewdly, and dispersed to their several places, and poor Don Fernando, thus left to himself, flung out of the office, almost driven wild by these repeated perplexities.
In the confusion of his mind, he instinctively repaired to the mansion of Alvarez, but it was barred against him. To break the delusion under which the youth apparently labored, and to convince him that the Serafina about whom he raved was really dead, he was conducted to her tomb. There she lay, a stately matron, cut out in alabaster; and there lay her husband beside her; a portly cavalier, in armor; and there knelt, on each side, the effigies of a numerous progeny, proving that she had been a fruitful vine. Even the very monument gave proof of the lapse of time, for the hands of her husband, which were folded as if in prayer, had lost their fingers, and the face of the once lovely Serafina was noseless.
Don Fernando felt a transient glow of indignation at beholding this monumental proof of the inconstancy of his mistress; but who could expect a mistress to remain constant during a whole century of absence? And what right had he to rail about constancy, after what had passed between him and the Alcayde’s daughter? The unfortunate cavalier performed one pious act of tender devotion; he had the alabaster nose of Serafina restored by a skilful statuary, and then tore himself from the tomb.