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That Pretty Girl In The Army
by
The Pretty Girl still sold War Crys and took up collections, but in a tired, listless, half shamed-faced way. It was plain that she was tired of the Army, and growing ashamed of the Salvationists. Perhaps she had come to see things too plainly.
You see, the Army does no good out back in Australia–except from a business point of view. It is simply there to collect funds for hungry headquarters. The bushmen are much too intelligent for the Army. There was no poverty in Bourke–as it is understood in the city; there was plenty of food; and camping out and roughing it come natural to the bushmen. In cases of sickness, accident, widows or orphans, the chaps sent round the hat, without banging a drum or testifying, and that was all right. If a chap was hard up he borrowed a couple of quid from his mate. If a strange family arrived without a penny, someone had to fix ’em up, and the storekeepers helped them till the man got work. For the rest, we work out our own salvation, or damnation–as the case is–in the bush, with no one to help us, except a mate, perhaps. The Army can’t help us, but a fellow-sinner can, sometimes, who has been through it all himself. The Army is only a drag on the progress of Democracy, because it attracts many who would otherwise be aggressive Democrats–and for other reasons.
Besides, if we all reformed the Army would get deuced little from us for its city mission.
The Pretty Girl went to service for a while with the stock inspector’s wife, who could get nothing out of her concerning herself or her friends. She still slept at the barracks, stuck to the Army, and attended its meetings.
It was Christmas morning, and there was peace in Bourke and goodwill towards all men. There hadn’t been a fight since yesterday evening, and that had only been a friendly one, to settle an argument concerning the past ownership, and, at the same time, to decide as to the future possession of a dog.
It had been a hot, close night, and it ended in a suffocating sunrise. The free portion of the male population were in the habit of taking their blankets and sleeping out in “the Park,” or town square, in hot weather; the wives and daughters of the town slept, or tried to sleep, with bedroom windows and doors open, while husbands lay outside on the verandas. I camped in a corner of the park that night, and the sun woke me.
As I sat up I caught sight of a swagman coming along the white, dusty road from the direction of the bridge, where the cleared road ran across west and on, a hundred and thirty miles, through the barren, broiling mulga scrubs, to Hungerford, on the border of Sheol. I knew that swagman’s walk. It was John Merrick (Jack Moonlight), one-time Shearers’ Union secretary at Coonamble, and generally “Rep” (shearers’ representative) in any shed where he sheared. He was a “better-class shearer,” one of those quiet, thoughtful men of whom there are generally two or three in the roughest of rough sheds, who have great influence, and give the shed a good name from a Union point of view. Not quiet with the resentful or snobbish reserve of the educated Englishman, but with a sad or subdued sort of quietness that has force in it–as if they fully realized that their intelligence is much higher than the average, that they have suffered more real trouble and heartbreak than the majority of their mates, and that their mates couldn’t possibly understand them if they spoke as they felt and couldn’t see things as they do–yet men who understand and are intensely sympathetic in their loneliness and sensitive reserve.
I had worked in a shed with Jack Moonlight, and had met him in Sydney, and to be mates with a bushman for a few weeks is to know him well–anyway, I found it so. He had taken a trip to Sydney the Christmas before last, and when he came back there was something wanting. He became more silent, he drank more, and sometimes alone, and took to smoking heavily. He dropped his mates, took little or no interest in Union matters, and travelled alone, and at night.