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So, keeping my promise constantly in mind, I never entered a secluded neighbourhood without being on the look-out for some unpretending photographic studio which would combine artistic excellence with moderate charges.

And at last I discovered this photographic phoenix, whose nest, if I may so term it, was in a retired suburb which I do not care to particularise. Upon the street level was a handsome plate-glass window, in which, against a background of dark purple hangings and potted ferns, were displayed cartes, cabinets, and groups, in which not even my trained faculties could detect the least inferiority to the more costly productions of the West-end, while the list of prices that hung by the door was conceived in a spirit of exemplary modesty. After a brief period of hesitation I stepped inside, and, on stating my wish to be photographed at once, was invited by a very civil youth with a slight cast in his eye to walk upstairs, which I accordingly did.

I mounted flight after flight of stairs, till I eventually found myself at the top of the house, in an apartment pervaded by a strong odour of chemicals, and glazed along the roof and the whole of one side with panes of a bluish tint. It was empty at the moment of my entrance, but, after a few minutes, the photographer burst impetuously in–a tall young man, with long hair and pale eyes, whose appearance denoted a nervous and high-strung temperament. Perceiving him to be slightly overawed by a certain unconscious dignity in my bearing, which frequently does produce that effect upon strangers, I hastened to reassure him by discriminating eulogies upon the specimens of his art that I had been inspecting below, and I saw at once that he was readily susceptible to flattery.

‘You will find me,’ I told him frankly, ‘a little more difficult to satisfy than your ordinary clientele; but, on the other hand, I am peculiarly capable of appreciating really good work. Now I was struck at once by the delicacy of tone, the nice discrimination of values, the atmosphere, gradation, feeling, and surface of the examples displayed in your window.’

He bowed almost to the ground; but, having taken careful note of his prices, I felt secure in commending him, even to the verge of extravagance; and, besides, does not the artistic nature demand the stimulus of praise to enable it to put forth its full powers?

He inquired in what style I wished to be taken, whether full-length, half-length, or vignette. ‘I will answer you as concisely as possible,’ I said. ‘I have been pressed, by one whose least preference is a law to me, to have a photograph of myself executed which shall form a counterpart or pendant, as it were, to her own. I have, therefore, taken the precaution to bring her portrait with me for your guidance. You will observe it is the work of a firm in my opinion greatly overrated–Messrs. Lenz, Kamerer, & Co.; and, while you will follow it in style and the disposition of the accessories, you will, I make no doubt, produce, if you take ordinary pains, a picture vastly superior in artistic merit.’

This, as will be perceived, was skilfully designed to put him on his mettle, and rouse a useful spirit of emulation. He took the portrait of Iris from my hands and carried it to the light, where he examined it gravely in silence.

‘I presume,’ he said at length, ‘that I need hardly tell you I cannot pledge myself to produce a result as pleasing as this–under the circumstances?’

‘That,’ I replied, ‘rests entirely with you. If you overcome your natural diffidence, and do yourself full justice, I see no reason why you should not obtain something even more satisfactory.’

My encouragement almost unmanned him. He turned abruptly away and blew his nose violently with a coloured silk handkerchief.

‘Come, come,’ I said, smiling kindly, ‘you see I have every confidence in you–let us begin. I don’t know, by the way,’ I added, with a sudden afterthought, ‘whether in your leisure moments you take any interest in contemporary literature?’