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Monsieur Capitaine, the assistant chief, answered in the name of the office, congratulated, greeted, exalted, sang the praises of all; frantic applause greeted these two bits of eloquence. After that they settled down seriously to the business of eating.

Everything went well up to the dessert; lack of conversation went unnoticed. But after the coffee a discussion arose, and Monsieur Rade let himself loose and soon began to overstep the bounds of discretion.

They naturally discussed love, and a breath of chivalry intoxicated this room full of bureaucrats; they praised and exalted the superior beauty of woman, the delicacy of hex soul, her aptitude for exquisite things, the correctness of her judgment, and the refinement of her sentiments. Monsieur Rade began to protest, energetically refusing to credit the so- called “fair” sex with all the qualities they ascribed to it; then, amidst the general indignation, he quoted some authors:

“Schopenhauer, gentlemen, Schopenhauer, the great philosopher, revered by all Germany, says: ‘Man’s intelligence must have been terribly deadened by love in order to call this sex with the small waist, narrow shoulders, large hips and crooked legs, the fair sex. All its beauty lies in the instinct of love. Instead of calling it the fair, it would have been better to call it the unaesthetic sex. Women have neither the appreciation nor the knowledge of music, any more than they have of poetry or of the plastic arts; with them it is merely an apelike imitation, pure pretence, affectation cultivated from their desire to please.'”

“The man who said that is an idiot,” exclaimed Monsieur de Sombreterre.

Monsieur Rade smilingly continued:

“And how about Rousseau, gentlemen? Here is his opinion: ‘Women, as a rule, love no art, are skilled in none, and have no talent.'”

Monsieur de Sombreterre disdainfully shrugged his shoulders:

“Then Rousseau is as much of a fool as the other, that’s all.”

Monsieur Rade, still smiling, went on:

“And this is what Lord Byron said, who, nevertheless, loved women: ‘They should be well fed and well dressed, but not allowed to mingle with society. They should also be taught religion, but they should ignore poetry and politics, only being allowed to read religious works or cook- books.'”

Monsieur Rade continued:

“You see, gentlemen, all of them study painting and music. But not a single one of them has ever painted a remarkable picture or composed a great opera! Why, gentlemen? Because they are the ‘sexes sequior’, the secondary sex in every sense of the word, made to be kept apart, in the background.”

Monsieur Patissot was growing angry, and exclaimed:

“And how about Madame Sand, monsieur?”

“She is the one exception, monsieur, the one exception. I will quote to you another passage from another great philosopher, this one an Englishman, Herbert Spencer. Here is what he says: ‘Each sex is capable, under the influence of abnormal stimulation, of manifesting faculties ordinarily reserved for the other one. Thus, for instance, in extreme cases a special excitement may cause the breasts of men to give milk; children deprived of their mothers have often thus been saved in time of famine. Nevertheless, we do not place this faculty of giving milk among the male attributes. It is the same with female intelligence, which, in certain cases, will give superior products, but which is not to be considered in an estimate of the feminine nature as a social factor.'”

All Monsieur Patissot’s chivalric instincts were wounded and he declared:

“You are not a Frenchman, monsieur. French gallantry is a form of patriotism.”

Monsieur Rade retorted:

“I have very little patriotism, monsieur, as little as I can get along with.”

A coolness settled over the company, but he continued quietly:

“Do you admit with me that war is a barbarous thing; that this custom of killing off people constitutes a condition of savagery; that it is odious, when life is the only real good, to see governments, whose duty is to protect the lives of their subjects, persistently looking for means of destruction? Am I not right? Well, if war is a terrible thing, what about patriotism, which is the idea at the base of it? When a murderer kills he has a fixed idea; it is to steal. When a good man sticks his bayonet through another good man, father of a family, or, perhaps, a great artist, what idea is he following out?”