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Quite unheeding, the collarless man went on, “And so you thought you could write, and you came on to New York (you know one doesn’t just travel to New York, or ride to it, or come to it; one `comes on’ to New York), and now you’re not so sure about the writing, h’m? And back home what did you do?”

“Back home I taught school–and hated it. But I kept on teaching until I’d saved five hundred dollars. Every other school ma’am in the world teaches until she has saved five hundred dollars, and then she packs two suit-cases, and goes to Europe from June until September. But I saved my five hundred for New York. I’ve been here six months now, and the five hundred has shrunk to almost nothing, and if I don’t break into the magazines pretty soon—-“

“Then?”

“Then,” said Mary Louise, with a quaver in her voice, “I’ll have to go back and teach thirty-seven young devils that six times five is thirty, put down the naught and carry six, and that the French are a gay people, fond of dancing and light wines. But I’ll scrimp on everything from hairpins to shoes, and back again, including pretty collars, and gloves, and hats, until I’ve saved up another five hundred, and then I’ll try it all over again, because I–can–write.”

From the depths of one capacious pocket the inquiring man took a small black pipe, from another a bag of tobacco, from another a match. The long, deft fingers made a brief task of it.

“I didn’t ask you,” he said, after the first puff, “because I could see that you weren’t the fool kind that objects.” Then, with amazing suddenness, “Know any of the editors?”

“Know them!” cried Mary Louise. “Know them! If camping on their doorsteps, and haunting the office buildings, and cajoling, and fighting with secretaries and office boys, and assistants and things constitutes knowing them, then we’re chums.”

“What makes you think you can write?” sneered the thin man.

Mary Louise gathered up her brush, and comb, and towel, and parsley, and jumped off the soap box. She pointed belligerently at her tormentor with the hand that held the brush.

“Being the scrub-lady’s stalwart son, you wouldn’t understand. But I can write. I sha’n’t go under. I’m going to make this town count me in as the four million and oneth. Sometimes I get so tired of being nobody at all, with not even enough cleverness in me to wrest a living from this big city, that I long to stand out at the edge of the curbing, and take off my hat, and wave it, and shout, `Say, you four million uncaring people, I’m Mary Louise Moss, from Escanaba, Michigan, and I like your town, and I want to stay here. Won’t you please pay some slight attention to me. No one knows I’m here except myself, and the rent collector.'”

“And I,” put in the rude young man.

“O, you,” sneered Mary Louise, equally rude, “you don’t count.”

The collarless young man in the shabby slippers smiled a curious little twisted smile. “You never can tell,” he grinned, “I might.” Then, quite suddenly, he stood up, knocked the ash out of his pipe, and came over to Mary Louise, who was preparing to descend the steep little flight of stairs.

“Look here, Mary Louise Moss, from Escanaba, Michigan, you stop trying to write the slop you’re writing now. Stop it. Drop the love tales that are like the stuff that everybody else writes. Stop trying to write about New York. You don’t know anything about it. Listen. You get back to work, and write about Mrs. Next Door, and the hair-washing, and the vegetable garden, and bees, and the back yard, understand? You write the way you talked to me, and then you send your stuff in to Cecil Reeves.”

“Reeves!” mocked Mary Louise. “Cecil Reeves, of The Earth? He wouldn’t dream of looking at my stuff. And anyway, it really isn’t your affair.” And began to descend the stairs.

“Well, you know you brough
t me up here, kicking with your heels, and singing at the top of your voice. I couldn’t work. So it’s really your fault.” Then, just as Mary Louise had almost disappeared down the stairway he put his last astonishing question.