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“I don’t know,” said Graham, with a short laugh. “None of us know. But what we all want just now is music. Dorothy, will you sing a little for us?”

So she sang “The Coulin,” and “The Days o’ the Kerry Dancin’,” and “The Hawthorn Tree,” and “The Green Woods of Truigha,” and “Flowers o’ the Forest,” and “A la claire Fontaine,” until the twilight was filled with peace.

The boys came back to the school. The wheels of routine began to turn again, slowly and with a little friction at first, then smoothly and swiftly as if they had never stopped. Summer reddened into autumn; autumn bronzed into fall. The maples and poplars were bare. The oaks alone kept their rusted crimson glory, and the cloaks of spruce and hemlock on the shoulders of the hills grew dark with wintry foliage. Keene’s transitions of mood became more frequent and more extreme. The gulf of isolation that divided him from us when the black days came seemed wider and more unfathomable. Dorothy and John Graham were thrown more constantly together. Keene appeared to encourage their companionship. He watched them curiously, sometimes, not as if he were jealous, but rather as if he were interested in some delicate experiment. At other times he would be singularly indifferent to everything, remote, abstracted, forgetful.

Dorothy’s birthday, which fell in mid-October, was kept as a holiday. In the morning everyone had some little birthday gift for her, except Keene. He had forgotten the birthday entirely. The shadow of disappointment that quenched the brightness of her face was pitiful. Even he could not be blind to it. He flushed as if surprised, and hesitated a moment, evidently in conflict with himself. Then a look of shame and regret came into his eyes. He made some excuse for not going with us to the picnic, at the Black Brook Falls, with which the day was celebrated. In the afternoon, as we all sat around the camp-fire, he came swinging through the woods with his long, swift stride, and going at once to Dorothy laid a little brooch of pearl and opal in her hand.

“Will you forgive me?” he said. “I hope this is not too late. But I lost the train back from Newburg and walked home. I pray that you may never know any tears but pearls, and that there may be nothing changeable about you but the opal.”

“Oh, Edward!” she cried, “how beautiful! Thank you a thousand times. But I wish you had been with us all day. We have missed you so much!”

For the rest of that day simplicity and clearness and joy came back to us. Keene was at his best, a leader of friendly merriment, a master of good-fellowship, a prince of delicate chivalry. Dorothy’s loveliness unfolded like a flower in the sun.

But the Indian summer of peace was brief. It was hardly a week before Keene’s old moods returned, darker and stranger than ever. The girl’s unconcealable bewilderment, her sense of wounded loyalty and baffled anxiety, her still look of hurt and wondering tenderness, increased from day to day. John Graham’s temper seemed to change, suddenly and completely. From the best-humoured and most careless fellow in the world, he became silent, thoughtful, irritable toward everyone except Dorothy. With Keene he was curt and impatient, avoiding him as much as possible, and when they were together, evidently struggling to keep down a deep dislike and rising anger. They had had sharp words when they were alone, I was sure, but Keene’s coolness seemed to grow with Graham’s heat. There was no open quarrel.

One Saturday evening, Graham came to me. “You have seen what is going on here?” he said.

“Something, at least,” I answered, “and I am very sorry for it. But I don’t quite understand it.”