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Thus thought Smith as he hurried away from the sarcophagus and those blue-robed, dark-skinned fellaheen, down the long gallery that is filled with a thousand sculptures. For a moment he paused before the wonderful white statue of Queen Amenartas, then, remembering that his time was short, hastened on to a certain room, one of those which opened out of the gallery.

In a corner of this room, upon the wall, amongst many other beautiful objects, stood that head which Mariette had found, whereof in past years the cast had fascinated him in London. Now he knew whose head it was; to him it had been given to find the tomb of her who had sat for that statue. Her very hand was in his pocket–yes, the hand that had touched yonder marble, pointing out its defects to the sculptor, or perhaps swearing that he flattered her. Smith wondered who that sculptor was; surely he must have been a happy man. Also he wondered whether the statuette was also this master’s work. He thought so, but he wished to make sure.

Near to the end of the room he stopped and looked about him like a thief. He was alone in the place; not a single student or tourist could be seen, and its guardian was somewhere else. He drew out the box that contained the hand. From the hand he slipped the ring which the Director-General had left there as a gift to himself. He would much have preferred the other with the signet, but how could he say so, especially after the episode of the statuette?

Replacing the hand in his pocket without looking at the ring–for his eyes were watching to see whether he was observed–he set it upon his little finger, which it exactly fitted. (Ma-Mee had worn both of them upon the third finger of her left hand, the Bes ring as a guard to the signet.) He had the fancy to approach the effigy of Ma-Mee wearing a ring which she had worn and that came straight from her finger to his own.

Smith found the head in its accustomed place. Weeks had gone by since he looked upon it, and now, to his eyes, it had grown more beautiful than ever, and its smile was more mystical and living. He drew out the statuette and began to compare them point by point. Oh, no doubt was possible! Both were likenesses of the same woman, though the statuette might have been executed two or three years later than the statue. To him the face of it looked a little older and more spiritual. Perhaps illness, or some premonition of her end had then thrown its shadow on the queen. He compared and compared. He made some rough measurements and sketches in his pocket-book, and set himself to work out a canon of proportions.

So hard and earnestly did he work, so lost was his mind that he never heard the accustomed warning sound which announces that the Museum is about to close. Hidden behind an altar as he was, in his distant, shadowed corner, the guardian of the room never saw him as he cast a last perfunctory glance about the place before departing till the Saturday morning; for the morrow was Friday, the Mohammedan Sabbath, on which the Museum remains shut, and he would not be called upon to attend. So he went. Everybody went. The great doors clanged, were locked and bolted, and, save for a watchman outside, no one was left in all that vast place except Smith in his corner, engaged in sketching and in measurements.

The difficulty of seeing, owing to the increase of shadow, first called his attention to the fact that time was slipping away. He glanced at his watch and saw that it was ten minutes to the hour.

“Soon be time to go,” he thought to himself, and resumed his work.

How strangely silent the place seemed! Not a footstep to be heard or the sound of a human voice. He looked at his watch again, and saw that it was six o’clock, not five, or so the thing said. But that was impossible, for the Museum shut at five; evidently the desert sand had got into the works. The room in which he stood was that known as Room I, and he had noticed that its Arab custodian often frequented Room K or the gallery outside. He would find him and ask what was the real time.