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A sudden resolution took hold of Smith. He would explore that tomb, at once and alone. No one should accompany him on this his first visit; it would be a sacrilege that anyone save himself should set foot there until he had looked on what it might contain.

Why should he not enter? His lamp, of what is called the “hurricane” brand, was very good and bright, and would burn for many hours. Moreover, there had been time for the foul air to escape through the hole that they had cleared. Lastly, something seemed to call on him to come and see. He placed the bronze head in his breast-pocket over his heart, and, thrusting the lamp through the hole, looked down. Here there was no difficulty, since sand had drifted in to the level of the bottom of the aperture. Through it he struggled, to find himself upon a bed of sand that only just left him room to push himself along between it and the roof. A little farther on the passage was almost filled with mud.

Mahomet had been right when, from his knowledge of the bed-rock, he said that any tomb made in this place must be flooded. It had been flooded by some ancient rain-storm, and Smith began to fear that he would find it quite filled with soil caked as hard as iron. So, indeed, it was to a certain depth, a result that apparently had been anticipated by those who hollowed it, for this entrance shaft was left quite undecorated. Indeed, as Smith found afterwards, a hole had been dug beneath the doorway to allow the mud to enter after the burial was completed. Only a miscalculation had been made. The natural level of the mud did not quite reach the roof of the tomb, and therefore still left it open.

After crawling for forty feet or so over this caked mud, Smith suddenly found himself on a rising stair. Then he understood the plan; the tomb itself was on a higher level.

Here began the paintings. Here the Queen Ma-Mee, wearing her crowns and dressed in diaphanous garments, was presented to god after god. Between her figure and those of the divinities the wall was covered with hieroglyphs as fresh to-day as on that when the artist had limned them. A glance told him that they were extracts from the Book of the Dead. When the thief of bygone ages had broken into the tomb, probably not very long after the interment, the mud over which Smith had just crawled was still wet. This he could tell, since the clay from the rascal’s feet remained upon the stairs, and that upon his fingers had stained the paintings on the wall against which he had supported himself; indeed, in one place was an exact impression of his hand, showing its shape and even the lines of the skin.

At the top of the flight of steps ran another passage at a higher level, which the water had never reached, and to right and left were the beginnings of unfinished chambers. It was clear to him that this queen had died young. Her tomb, as she or the king had designed it, was never finished. A few more paces, and the passage enlarged itself into a hall about thirty feet square. The ceiling was decorated with vultures, their wings outspread, the looped Cross of Life hanging from their talons. On one wall her Majesty Ma-Mee stood expectant while Anubis weighed her heart against the feather of truth, and Thoth, the Recorder, wrote down the verdict upon his tablets. All her titles were given to her here, such as–“Great Royal Heiress, Royal Sister, Royal Wife, Royal Mother, Lady of the Two Lands, Palm-branch of Love, Beautiful-exceedingly.”

Smith read them hurriedly and noted that nowhere could he see the name of the king who had been her husband. It would almost seem as though this had been purposely omitted. On the other walls Ma-Mee, accompanied by her Ka, or Double, made offerings to the various gods, or uttered propitiatory speeches to the hideous demons of the underworld, declaring their names to them and forcing them to say: “Pass on. Thou art pure!”