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Sketches of Young Couples
by
The medical gentleman was the first who returned, and among his intimate friends he was observed to laugh and wink, and look as unmedical as might be; but when Mr. Leaver came back he was very solemn, and in answer to all inquiries, shook his head, and remarked that Augusta was far too sensitive to be trifled with–an opinion which the widow subsequently confirmed. Finding that she was in no imminent peril, however, the rest of the party betook themselves to dancing on the green, and very merry and happy they were, and a vast quantity of flirtation there was; the last circumstance being no doubt attributable, partly to the fineness of the weather, and partly to the locality, which is well known to be favourable to all harmless recreations.
In the bustle of the scene, Mr. and Mrs. Leaver stole down to the boat, and disposed themselves under the awning, Mrs. Leaver reclining her head upon Mr. Leaver’s shoulder, and Mr. Leaver grasping her hand with great fervour, and looking in her face from time to time with a melancholy and sympathetic aspect. The widow sat apart, feigning to be occupied with a book, but stealthily observing them from behind her fan; and the two firemen-watermen, smoking their pipes on the bank hard by, nudged each other, and grinned in enjoyment of the joke. Very few of the party missed the loving couple; and the few who did, heartily congratulated each other on their disappearance.
THE CONTRADICTORY COUPLE
One would suppose that two people who are to pass their whole lives together, and must necessarily be very often alone with each other, could find little pleasure in mutual contradiction; and yet what is more common than a contradictory couple?
The contradictory couple agree in nothing but contradiction. They return home from Mrs. Bluebottle’s dinner-party, each in an opposite corner of the coach, and do not exchange a syllable until they have been seated for at least twenty minutes by the fireside at home, when the gentleman, raising his eyes from the stove, all at once breaks silence:
‘What a very extraordinary thing it is,’ says he, ‘that you WILL contradict, Charlotte!’ ‘I contradict!’ cries the lady, ‘but that’s just like you.’ ‘What’s like me?’ says the gentleman sharply. ‘Saying that I contradict you,’ replies the lady. ‘Do you mean to say that you do NOT contradict me?’ retorts the gentleman; ‘do you mean to say that you have not been contradicting me the whole of this day?’ ‘Do you mean to tell me now, that you have not? I mean to tell you nothing of the kind,’ replies the lady quietly; ‘when you are wrong, of course I shall contradict you.’
During this dialogue the gentleman has been taking his brandy-and- water on one side of the fire, and the lady, with her dressing-case on the table, has been curling her hair on the other. She now lets down her back hair, and proceeds to brush it; preserving at the same time an air of conscious rectitude and suffering virtue, which is intended to exasperate the gentleman–and does so.
‘I do believe,’ he says, taking the spoon out of his glass, and tossing it on the table, ‘that of all the obstinate, positive, wrong-headed creatures that were ever born, you are the most so, Charlotte.’ ‘Certainly, certainly, have it your own way, pray. You see how much I contradict you,’ rejoins the lady. ‘Of course, you didn’t contradict me at dinner-time–oh no, not you!’ says the gentleman. ‘Yes, I did,’ says the lady. ‘Oh, you did,’ cries the gentleman ‘you admit that?’ ‘If you call that contradiction, I do,’ the lady answers; ‘and I say again, Edward, that when I know you are wrong, I will contradict you. I am not your slave.’ ‘Not my slave!’ repeats the gentleman bitterly; ‘and you still mean to say that in the Blackburns’ new house there are not more than fourteen doors, including the door of the wine- cellar!’ ‘I mean to say,’ retorts the lady, beating time with her hair-brush on the palm of her hand, ‘that in that house there are fourteen doors and no more.’ ‘Well then–‘ cries the gentleman, rising in despair, and pacing the room with rapid strides. ‘By G-, this is enough to destroy a man’s intellect, and drive him mad!’