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This sentiment communicates new impulse to Mrs. Sliverstone, who launches into new praises of Mr. Sliverstone’s worth and excellence, to which he listens in the same meek silence, save when he puts in a word of self-denial relative to some question of fact, as–‘Not seventy-two christenings that week, my dear. Only seventy-one, only seventy-one.’ At length his lady has quite concluded, and then he says, Why should he repine, why should he give way, why should he suffer his heart to sink within him? Is it he alone who toils and suffers? What has she gone through, he should like to know? What does she go through every day for him and for society?

With such an exordium Mr. Sliverstone launches out into glowing praises of the conduct of Mrs. Sliverstone in the production of eight young children, and the subsequent rearing and fostering of the same; and thus the husband magnifies the wife, and the wife the husband.

This would be well enough if Mr. and Mrs. Sliverstone kept it to themselves, or even to themselves and a friend or two; but they do not. The more hearers they have, the more egotistical the couple become, and the more anxious they are to make believers in their merits. Perhaps this is the worst kind of egotism. It has not even the poor excuse of being spontaneous, but is the result of a deliberate system and malice aforethought. Mere empty-headed conceit excites our pity, but ostentatious hypocrisy awakens our disgust.

THE COUPLE WHO CODDLE THEMSELVES

Mrs. Merrywinkle’s maiden name was Chopper. She was the only child of Mr. and Mrs. Chopper. Her father died when she was, as the play-books express it, ‘yet an infant;’ and so old Mrs. Chopper, when her daughter married, made the house of her son-in-law her home from that time henceforth, and set up her staff of rest with Mr. and Mrs. Merrywinkle.

Mr. and Mrs. Merrywinkle are a couple who coddle themselves; and the venerable Mrs. Chopper is an aider and abettor in the same.

Mr. Merrywinkle is a rather lean and long-necked gentleman, middle- aged and middle-sized, and usually troubled with a cold in the head. Mrs. Merrywinkle is a delicate-looking lady, with very light hair, and is exceedingly subject to the same unpleasant disorder. The venerable Mrs. Chopper–who is strictly entitled to the appellation, her daughter not being very young, otherwise than by courtesy, at the time of her marriage, which was some years ago–is a mysterious old lady who lurks behind a pair of spectacles, and is afflicted with a chronic disease, respecting which she has taken a vast deal of medical advice, and referred to a vast number of medical books, without meeting any definition of symptoms that at all suits her, or enables her to say, ‘That’s my complaint.’ Indeed, the absence of authentic information upon the subject of this complaint would seem to be Mrs. Chopper’s greatest ill, as in all other respects she is an uncommonly hale and hearty gentlewoman.

Both Mr. and Mrs. Chopper wear an extraordinary quantity of flannel, and have a habit of putting their feet in hot water to an unnatural extent. They likewise indulge in chamomile tea and such- like compounds, and rub themselves on the slightest provocation with camphorated spirits and other lotions applicable to mumps, sore-throat, rheumatism, or lumbago.

Mr. Merrywinkle’s leaving home to go to business on a damp or wet morning is a very elaborate affair. He puts on wash-leather socks over his stockings, and India-rubber shoes above his boots, and wears under his waistcoat a cuirass of hare-skin. Besides these precautions, he winds a thick shawl round his throat, and blocks up his mouth with a large silk handkerchief. Thus accoutred, and furnished besides with a great-coat and umbrella, he braves the dangers of the streets; travelling in severe weather at a gentle trot, the better to preserve the circulation, and bringing his mouth to the surface to take breath, but very seldom, and with the utmost caution. His office-door opened, he shoots past his clerk at the same pace, and diving into his own private room, closes the door, examines the window-fastenings, and gradually unrobes himself: hanging his pocket-handkerchief on the fender to air, and determining to write to the newspapers about the fog, which, he says, ‘has really got to that pitch that it is quite unbearable.’