PAGE 7
Sketches from Memory (From "Mosses from an Old Manse")
by
In this manner I went all through the cabin, hitting everybody as hard a lash as I could, and laying the whole blame on the infernal Englishman. At length I caught the eyes of my own image in the looking-glass, where a number of the party were likewise reflected, and among them the Englishman, who at that moment was intently observing myself.
. . . . . . . .
The crimson curtain being let down between the ladies and gentlemen, the cabin became a bedchamber for twenty persons, who were laid on shelves one above another. For a long time our various incommodities kept us all awake except five or six, who were accustomed to sleep nightly amid the uproar of their own snoring, and had little to dread from any other species of disturbance. It is a curious fact that these snorers had been the most quiet people in the boat while awake, and became peace-breakers only when others cease to be so, breathing tumult out of their repose. Would it were possible to affix a wind-instrument to the nose, and thus make melody of a snore, so that a sleeping lover might serenade his mistress or a congregation snore a psalm-tune! Other, though fainter, sounds than these contributed to my restlessness. My head was close to the crimson curtain,–the sexual division of the boat, –behind which I continually heard whispers and stealthy footsteps; the noise of a comb laid on the table or a slipper dropped on the floor; the twang, like a broken harp-string, caused by loosening a tight belt; the rustling of a gown in its descent; and the unlacing of a pair of stays. My ear seemed to have the properties of an eye; a visible image pestered my fancy in the darkness; the curtain was withdrawn between me and the Western lady, who yet disrobed herself without a blush.
Finally all was hushed in that quarter. Still I was more broad awake than through the whole preceding day, and felt a feverish impulse to toss my limbs miles apart and appease the unquietness of mind by that of matter. Forgetting that my berth was hardly so wide as a coffin, I turned suddenly over and fell like an avalanche on the floor, to the disturbance of the whole community of sleepers. As there were no bones broken, I blessed the accident and went on deck. A lantern was burning at each end of the boat, and one of the crew was stationed at the bows, keeping watch, as mariners do on the ocean. Though the rain had ceased, the sky was all one cloud, and the darkness so intense that there seemed to be no world except the little space on which our lanterns glimmered. Yet it was an impressive scene.
We were traversing the “long level,” a dead flat between Utica and Syracuse, where the canal has not rise or fall enough to require a lock for nearly seventy miles. There can hardly be a more dismal tract of country. The forest which covers it, consisting chiefly of white-cedar, black-ash, and other trees that live in excessive moisture, is now decayed and death-struck by the partial draining of the swamp into the great ditch of the canal. Sometimes, indeed, our lights were reflected from pools of stagnant water which stretched far in among the trunks of the trees, beneath dense masses of dark foliage. But generally the tall stems and intermingled branches were naked, and brought into strong relief amid the surrounding gloom by the whiteness of their decay. Often we beheld the prostrate form of some old sylvan giant which had fallen and crushed down smaller trees under its immense ruin. In spots where destruction had been riotous, the lanterns showed perhaps a hundred trunks, erect, half overthrown, extended along the ground, resting on their shattered limbs or tossing them desperately into the darkness, but all of one ashy white, all naked together, in desolate confusion. Thus growing out of the night as we drew nigh, and vanishing as we glided on, based on obscurity, and overhung and bounded by it, the scene was ghostlike,–the very land of unsubstantial things, whither dreams might betake themselves when they quit the slumberer’s brain.