PAGE 11
Shin-Bones
by
“‘Tell neither Kanau nor Hiwilani aught of what you are about to behold. There is no sacredness in Kanau. His mind is filled with sugar and the breeding of horses. I do know that he sold a feather cloak his grandfather had worn to that English collector for eight thousand dollars, and the money he lost the next day betting on the polo game between Maui and Oahu. Hiwilani, your mother, is filled with sacredness. She is too much filled with sacredness. She grows old, and weak-headed, and she traffics over-much with sorceries.’
“‘No,’ I made answer. ‘I shall tell no one. If I did, then would I have to return to this place again. And I do not want ever to return to this place. I’ll try anything once. This I shall never try twice.’
“‘It is well,’ he said, and arose, falling behind so that I should enter first. Also, he said: ‘Your mother is old. I shall bring her, as promised, the bones of her mother and of her grandfather. These should content her until she dies; and then, if I die before her, it is you who must see to it that all the bones in her family collection are placed in the Royal Mausoleum.’
“I have given all the Islands’ museums the once-over,” Prince Akuli lapsed back into slang, “and I must say that the totality of the collections cannot touch what I saw in our Lakanaii burial-cave. Remember, and with reason and history, we trace back the highest and oldest genealogy in the Islands. Everything that I had ever dreamed or heard of, and much more that I had not, was there. The place was wonderful. Ahuna, sepulchrally muttering prayers and meles, moved about, lighting various whale-oil lamp-calabashes. They were all there, the Hawaiian race from the beginning of Hawaiian time. Bundles of bones and bundles of bones, all wrapped decently in tapa, until for all the world it was like the parcels- post department at a post office.
“And everything! Kahilis, which you may know developed out of the fly-flapper into symbols of royalty until they became larger than hearse-plumes with handles a fathom and a half and over two fathoms in length. And such handles! Of the wood of the kauila, inlaid with shell and ivory and bone with a cleverness that had died out among our artificers a century before. It was a centuries-old family attic. For the first time I saw things I had only heard of, such as the pahoas, fashioned of whale-teeth and suspended by braided human hair, and worn on the breast only by the highest of rank.
“There were tapes and mats of the rarest and oldest; capes and leis and helmets and cloaks, priceless all, except the too-ancient ones, of the feathers of the mamo, and of the iwi and the akakane and the o-o. I saw one of the mamo cloaks that was superior to that finest one in the Bishop Museum in Honolulu, and that they value at between half a million and a million dollars. Goodness me, I thought at the time, it was lucky Kanau didn’t know about it.
“Such a mess of things! Carved gourds and calabashes, shell- scrapers, nets of olona fibre, a junk of ie-ie baskets, and fish- hooks of every bone and spoon of shell. Musical instruments of the forgotten days–ukukes and nose flutes, and kiokios which are likewise played with one unstoppered nostril. Taboo poi bowls and finger bowls, left-handed adzes of the canoe gods, lava-cup lamps, stone mortars and pestles and poi-pounders. And adzes again, a myriad of them, beautiful ones, from an ounce in weight for the finer carving of idols to fifteen pounds for the felling of trees, and all with the sweetest handles I have ever beheld.