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Sharon’s Choice
by
“I should have thought it was worse,” said I. “No, for we’ll be transferred some day. These poor folks are shipwrecked. Though it is their own foolishness, all this.”
Again my eye followed as he indicated the town with a sweep of his hand; and from the town I looked to the four quarters of heaven. I may have seen across into Old Mexico. No sign labels the boundary; the vacuum of continent goes on, you might think, to Patagonia. Symptoms of neighboring Mexico basked on the sand heaps along Sharon’s spacious avenues–little torpid, indecent gnomes in sashes and open rags, with crowning-steeple straw hats, and murder dozing in their small black eyes. They might have crawled from holes in the sand, or hatched out of brown cracked pods on some weeds that trailed through the broken bottles, the old shoes, and the wire fences. Outside these ramparts began the vacuum, white, gray, indigo, florescent, where all the year the sun shines. Not the semblance of any tree dances in the heat; only rocks and lumps of higher sand waver and dissolve and reappear in the shaking crystal of mirage. Not the scar of any river-bed furrows the void. A river there is, flowing somewhere out of the shiny violet mountains to the north, but it dies subterraneously on its way to Sharon, misses the town, and emerges thirty miles south across the sunlight in a shallow, futile lake, a cienaga, called Las Palomas. Then it evaporates into the ceaseless blue sky.
The water you get in Sharon is dragged by a herd of wind-wheels from the bowels of the sand. Over the town they turn and turn–Sharon’s upper story–a filmy colony of slats. In some of the homes beneath them you may go up-stairs–in the American homes, not in the adobe Mexican caves of song, woman, and knives; and brick and stone edifices occur. Monuments of perished trade, these rise among their flatter neighbors cubical and stark; under-shirts, fire-arms, and groceries for sale in the ground-floor, blind dust-windows above. Most of the mansions, however, squat ephemerally upon the soil, no cellar to them, and no staircase, the total fragile box ready to bounce and caracole should the wind drive hard enough. Inside them, eating, mending, the newspaper, and more babies, eke out the twelvemonth; outside, the citizens loiter to their errands along the brief wide avenues of Sharon that empty into space. Men, women, and children move about in the town, sparse and casual, and over their heads in a white tribe the wind-wheels on their rudders veer to the breeze and indolently revolve above the gaping obsoleteness. Through the dumb town the locomotive bell tolls pervadingly when a train of freight or passengers trundles in from the horizon or out along the dwindling fence of telegraph poles. No matter where you are, you can hear it come and go, leaving Sharon behind, an airy carcass, bleached and ventilated, sitting on the sand, with the sun and the hot wind pouring through its bones.
This town was the magnate’s child, the thing that was to keep his memory green; and as I took it in on that first walk of discovery, Stuart told me its story: how the magnate had decreed the railroad shops should be here; how, at that, corner lots grew in a night; how horsemen galloped the streets, shooting for joy, and the hasty tents rose while the houses were hammered together; how they had song, dance, cards, whiskey, license, murder, marriage, opera–the whole usual thing–regular as the clock in our West, in Australia, in Africa, in every virgin corner of the world where the Anglo-Saxon rushes to spend his animal spirits–regular as the clock, and in Sharon’s case about fifteen minutes long. For they became greedy, the corner-lot people. They ran up prices for land which the railroad, the breath of their nostrils, wanted. They grew ugly, forgetting they were dealing with a magnate, and that a railroad from ocean to ocean can take its shops somewhere else with appalling ease. Thus did the corner lots become sand again in a night. “And in the words of the poet,” concluded Stuart, “Sharon has an immense future behind it.”