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The labor-roughened hands moved with their old nervous habit, and the answer came in an odd, jerky, half-connected way: “I dunnot know why it should ha’ done. I mun be mad, or summat. I nivver had no hope nor nothin’: theer nivver wur no reason why I should ha’ had. Ay, I mun be wrong somehow, or it wouldna stick to me i’ this road. I conna get rid on it, an’ I conna feel as if I want to. What’s up wi’ me? What’s takken howd on me?” his voice breaking and the words ending in a sharp hysterical gasp like a sob.

Bess wrung her towel with a desperate strength which spoke of no small degree of tempestuous feeling. Her brow knit itself and her lips were compressed. “What’s happened?” she demanded after a pause. “I conna mak’ thee out.”

The look that fell upon her companion’s face had something of shame in it. His eyes left the mountain side and drooped upon his clasped hands. “Theer wur a lass coom to look at ‘th place today,” he said–“a lady lass, wi’ her feyther–an’ him. She wur aw rosy red an’ fair white, an’ it seemt as if she wur that happy as her laughin’ made th’ birds mock back at her. He took her up th’ mountain, an’ we heard ’em both even high up among th’ laurels. Th’ sound o’ their joy a-floatin’ down from the height, so nigh th’ blue sky, made me sick an’ weak-loike. They wur na so gay when they comn back, but her eyes wur shinin’, an’ so wur his, an’ I heerd him say to her as ‘Foak didna know how nigh heaven th’ top o’ th’ mountain wur.'”

Bess wrung her towel again, and regarded the mountain with manifest impatience and trouble. “Happen it’ll coom reet some day,” she said.

“Reet!” repeated the lad, as if mechanically. “I hadna towd mysen’ as owt wur exactly wrong; on’y I conna see things clear. I niwer could, an’ th’ more I ax mysen’ questions th’ worse it gets. Wheer–wheer could I lay th’ blame?”

“Th’ blame!” said Bess. “Coom tha’ an’ get a bite to eat;” and she shook out the towel with a snap and turned away. “Coom tha,” she repeated; “I mun get my work done.”

That night, as Seth lay upon his pallet in the shanty, the sound of Langley’s horse’s hoofs reached him with an accompaniment of a clear, young masculine voice singing a verse of some sentimental modern carol–a tender song ephemeral and sweet. As the sounds neared the cabin the lad sprang up restlessly, and so was standing at the open door when the singer passed. “Good-neet, mester,” he said.

The singer slackened his pace and turned his bright face toward him in the moonlight, waving his hand. “Good-night,” he said, “and pleasant dreams! Mine will be pleasant ones, I know. This has been a happy day for me, Raynor. Goodnight.”

When the two met again the brighter face had sadly changed; its beauty was marred with pain, and the shadow of death lay upon it.

Entering Janner’s shanty the following morning, Seth found the family sitting around the breakfast-table in ominous silence. The meal stood untouched, and even Bess looked pale and anxious. All three glanced toward him questioningly as he approached, and when he sat down Janner spoke: “Hasna tha’ heerd th’ news?” he asked.

“Nay,” Seth answered, “I ha’ heerd nowt.”

Bess interposed hurriedly: “Dunnot yo’ fear him, feyther,” she said. “Happen it isna so bad, after aw. Four or live foak wur takken down ill last neet, Seth, an’ th’ young mester wur among ’em; an’ theer’s them as says it’s cholera.”

It seemed as if he had not caught the full meaning of her words; he only stared at her in a startled, bewildered fashion. “Cholera!” he repeated dully.

“Theer’s them as knows it’s cholera,” said Janner, with gloomy significance. “An’ if it’s cholera, it’s death;” and he let his hand fall heavily upon the table.