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“Now I’ll tell you what happened in New York. I says to myself: ‘Friend Heherezade, you want to get busy and make Bagdad look pretty to the sad sultan of the sour countenance, or it’ll be the bowstring for yours.’ But I never had any doubt I could do it.

“I began with him like you’d feed a starving man. I showed him the horse-cars on Broadway and the Staten Island ferry-boats. And then I piled up the sensations on him, but always keeping a lot of warmer ones up my sleeve.

“At the end of the third day he looked like a composite picture of five thousand orphans too late to catch a picnic steamboat, and I was wilting down a collar every two hours wondering how I could please him and whether I was going to get my thou. He went to sleep looking at the Brooklyn Bridge; he disregarded the sky-scrapers above the third story; it took three ushers to wake him up at the liveliest vaudeville in town.

“Once I thought I had him. I nailed a pair of cuffs on him one morning before he was awake; and I dragged him that evening to the palm-cage of one of the biggest hotels in the city–to see the Johnnies and the Alice-sit-by-the-hours. They were out in numerous quantities, with the fat of the land showing in their clothes. While we were looking them over, Solly divested himself of a fearful, rusty kind of laugh–like moving a folding bed with one roller broken. It was his first in two weeks, and it gave me hope.

“‘Right you are,’ says I. ‘They’re a funny lot of post-cards, aren’t they?’

“‘Oh, I wasn’t thinking of them dudes and culls on the hoof,’ says he. ‘I was thinking of the time me and George put sheep-dip in Horsehead Johnson’s whisky. I wish I was back in Atascosa City,’ says he.

“I felt a cold chill run down my back. ‘Me to play and mate in one move,’ says I to myself.

“I made Solly promise to stay in the cafe for half an hour and I hiked out in a cab to Lolabelle Delatour’s flat on Forty-third Street. I knew her well. She was a chorus-girl in a Broadway musical comedy.

“‘Jane,’ says I when I found her, ‘I’ve got a friend from Texas here. He’s all right, but–well, he carries weight. I’d like to give him a little whirl after the show this evening–bubbles, you know, and a buzz out to a casino for the whitebait and pickled walnuts. Is it a go?’

“‘Can he sing?’ asks Lolabelle.

“‘You know,’ says I, ‘that I wouldn’t take him away from home unless his notes were good. He’s got pots of money–bean-pots full of it.’

“‘Bring him around after the second act,’ says Lolabelle, ‘and I’ll examine his credentials and securities.’

“So about ten o’clock that evening I led Solly to Miss Delatour’s dressing-room, and her maid let us in. In ten minutes in comes Lolabelle, fresh from the stage, looking stunning in the costume she wears when she steps from the ranks of the lady grenadiers and says to the king, ‘Welcome to our May-day revels.’ And you can bet it wasn’t the way she spoke the lines that got her the part.

“As soon as Solly saw her he got up and walked straight out through the stage entrance into the street. I followed him. Lolabelle wasn’t paying my salary. I wondered whether anybody was.

“‘Luke,’ says Solly, outside, ‘that was an awful mistake. We must have got into the lady’s private room. I hope I’m gentleman enough to do anything possible in the way of apologies. Do you reckon she’d ever forgive us?’

“‘She may forget it,’ says I. ‘Of course it was a mistake. Let’s go find some beans.’

“That’s the way it went. But pretty soon afterward Solly failed to show up at dinner-time for several days. I cornered him. He confessed that he had found a restaurant on Third Avenue where they cooked beans in Texas style. I made him take me there. The minute I set foot inside the door I threw up my hands.