PAGE 3
Saturday Night On The Farm: Boys And Harvest Hands
by
The play was Wilkie Collins’ “New Magdalen,” and the part of Mercy was taken by a large and magnificently proportioned woman, a blonde, and in Johnny’s eyes she seemed something divine, with her grace and majesty of motion. He took a personal pride in her at once and wanted her to come out triumphant in the end, regardless of any conventional morality.
True, his admiration for the dark little woman’s tragic utterance at times drew him away from his breathless study of the queenly Mercy, but such moments were few. Within a half hour he was deeply in love with the heroine and wondered how she could possibly endure the fat man who played the part of Horace, and who pitched into the practicable supper of cold ham, biscuit and currant wine with a gusto that suggested gluttony as the reason for his growing burden of flesh.
And so the play went on. The wonderful old lady in the cap and spectacles, the mysterious dark little woman who popped in at short intervals to say “Beware!” in a very deep contralto voice, the tender and repentant Mercy, all were new and wonderful, beautiful things to the boys, and though they stood up the whole evening through, it passed so swiftly that the curtain’s fall drew from them long sighs of regret. From that time on they were to dream of that wonderful play and that beautiful, repentant woman. So securely was she enthroned in their regard that no rude and senseless jest could ever unseat her. Of course, the men, as they went out, laughed and joked in the manner of such men, and swore in their disappointment because it was a serious drama in place of the comedy and the farce which they had expected.
“It’s a regular sell,” Bill said. “I wanted to hear old Plunket stid of all that stuff about nothin’. That was a lunkin’ good-lookin’ woman though,” he added, with a coarse suggestion in his voice, which exasperated Johnny to the pitch of giving him a kick on the heel as he walked in front. “Hyare, young feller, look where you’re puttin’ your hoofs!” Bill growled, looking about.
John was comforted by seeing in the face of his brother the same rapt expression which he felt was on his own. He walked along almost mechanically, scarcely feeling the sidewalk, his thoughts still dwelling on the lady and the play. It was after ten o’clock, and the stores were all shut, the frost lay thick and white on the plank walk, and the moon was shining as only a moon can shine through the rarefied air on the Western prairies, and overhead the stars in innumerable hosts swam in the absolutely cloudless sky.
John stumbled along, keeping hold of Lime’s hand till they reached the team standing at the sidewalk, shivering with cold. The impatient horses stretched their stiffened limbs with pleasure and made off with a rearing plunge. The men were noisy. Bill sang another song at the top of his voice as they rattled by the sleeping houses, but as he came to an objectionable part of the song Lime turned suddenly and said: “Shut up on that, will you?” and he became silent.
Rock Falls, after the most extraordinary agitation, had just prohibited the sale of liquor at any point within two miles of the school-house in the town. This, after strenuous opposition, was enforced; the immediate effect of the law was to establish saloons at the limit of the two miles and to throw a large increase of business into the hands of Hank Swartz in the retail part of his brewery, which was situated about two miles from the town, on the bank of the river. He had immediately built a bar-room and made himself ready for the increase of his trade, which had previously been confined to supplying picnic parties with half-kegs of beer or an occasional glass to teamsters passing by. Hank had an eye to the main chance and boasted: “If the public gits ahead of me it’s got to be up and a-comin’.”