**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 2

Saint Cecilia; Or, The Power Of Music
by [?]

The nuns had just taken their places in the organ-loft, the different parts of a composition that had already been frequently played, were distributed, violins, oboes, and bass-viols were tried and tuned, when suddenly Sister Antonia, quite fresh and well, though her face was a little pale, appeared from the stairs. She had under her arm the parts of the old Italian mass, on the performance of which the abbess had so earnestly insisted. To the questions of the nuns, who asked with astonishment whence she came, and how she had so suddenly recovered, she replied, “No matter, friends, no matter!” distributed the parts she had carried, and glowing with enthusiasm, sat down to the organ, to undertake the direction of the excellent composition. This phenomenon was a wonderful and truly heavenly consolation to the hearts of the pious ladies; they at once sat down to their desks with their instruments, and the very embarrassment in which they were placed, had the effect of bearing their souls, as if upon wings, through all the heaven of harmony. The oratorium was played with a musical magnificence of the noblest and highest kind. Not a breath was heard through the benches and aisles, and when the Salve Regina, and still more, when the Gloria in excelsis was performed, it was as if the whole population in the church was dead. In spite of the four profane brothers and their followers, not so much as the dust on the pavement was disturbed, and the cloister remained standing till the end of the “Thirty Years’ War,” when it was secularized by virtue of a clause in the “Treaty of Westphalia.”

Six years had passed, and this occurrence had been long forgotten, when the mother of the four youths came from the Hague, and mournfully alleging that they had completely disappeared, instituted judicial inquiries with the magistrates of Aix-la-Chapelle, to learn what road they had taken from the city. The last account that had been received of them in the Netherlands, where they purposely resided, was, as she said, contained in a letter which the preacher had written to his friend, a schoolmate at Antwerp, on the eve of a Corpus Christi day. The preacher, with great cheerfulness, or rather wantonness, had closely filled four sides of this letter with the account of an enterprise which he had projected against the Convent of St. Cecilia, and which the mother would not enter upon more particularly. After many vain endeavours to find the persons whom this afflicted lady was seeking, it was at last remembered that seven years ago–at a time which seemed to correspond to the account–four young people, whose country and origin was unknown, had been put in the madhouse, which had been recently erected in the city by the emperor. However, as these persons were affected by religious extravagance, and their deportment–as the court believed it had heard–was exceedingly melancholy, this account seemed to accord so little with the disposition of the sons–which was but too well known to the mother that there was no need for her to attach much importance to it, especially as it was pretty evident that the persons were Catholics. However, as she was struck by many peculiarities which were described to her, she went one day to the madhouse accompanied by one of the messengers of the court, and asked the superintendent to allow her to examine four unfortunate lunatics who were confined there. But who can describe the poor lady’s horror, when, on entering the door, she recognised her sons at the very first glance. They were dressed in long black robes, and were sitting round a table, on which was a crucifix. This they appeared to worship, leaning silently and with folded hands upon the board. To the questions of the lady, who had sunk into a chair quite exhausted, as to what they were doing, the superintendents replied, that they were merely occupied in the glorification of the Redeemer, of whose divinity, according to their own account, they had a clearer knowledge than others. They added that the young men had led this ghost-like life for six years, that they slept little and tasted little, that no sound usually passed their lips, and that it was only at the hour of midnight that they rose from their seats, when, with voices loud enough to shatter the windows of the house, they sang the Gloria in excelsis. The superintendents concluded with the remark that the young men enjoyed perfect bodily health, that a certain serenity, though of a very serious and solemn kind, could not be denied them, and that when they heard themselves called mad, they shrugged their shoulders with an air of compassion, and had more than once declared that the good city of Aix-la-Chapelle if it knew what they knew, would cease from all business and likewise devote itself to singing the Gloria round the crucifix.