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“‘Mr. John Smith.’

“I dropped a more formal curtsey than I had hitherto done, as was due to a stranger and a gentleman, and looked once at the object of my benevolent fancies, and then down again at my mittens. His head was just coming up from a low bow, and my instantaneous impression was, ‘He wears a brown wig.’ But in a moment more he was upright, and I saw that he did not. And–he certainly was not suitable in point of age. I took one more glance to make sure, and meeting his eyes, turned hastily, and plunged into conversation with my nearest neighbour, not noticing at the instant who it was. As I recovered from my momentary confusion, I became aware that I was talking to the rector’s wife, and had advanced some opinions on the subject of the weather which she was energetically disputing. I yielded gracefully, and went back to my thoughts. I hope Miss Martha did not feel as I did the loss of that suitable, comfortable, middle-aged partner my fancy had provided for her. It did seem a pity that he had no existence. I thought that probably marriage was the happiest condition for most people, and felt inclined to discuss the question with the rector’s wife, who had had about twenty-two years’ exemplary experience of that state. Then I should like to have helped to choose the silk–

“At this point I was asked to play.

“I played some favourite things of Miss Brooke’s and some of my own, Mr. Smith turning over the leaves of my music; and then he was asked to sing, and to my astonishment, prepared to accompany himself. Few English gentlemen (if any) could accompany their own songs on the pianoforte in my youth, Ida; most of them then had a wise idea that the pianoforte was an instrument ‘only fit for women,’ and would have as soon thought of trying to learn to play upon it as of studying the spinning-wheel. I do not know that I had ever heard one play except my father, who had lived much abroad. When Mr. Smith sat down at the instrument, I withdrew into a corner, where Miss Martha followed me as if to talk. But when he began, I think every one was silent.

“The song he sang is an old one now, Ida, but it was comparatively new then, and it so happened that very few of us had heard it before. It was ‘Home, Sweet Home.’ He had a charming voice, with a sweet pathetic ring about it, and his singing would have redeemed a song of far smaller merit, and of sentiment less common to all his hearers. As it was, our sympathies were taken by storm. The rector’s wife sobbed audibly, but, I believe, happily, with an oblique reference to the ten children she had left at home; and poor Miss Martha, behind me, touched away tear after tear with her thin finger-tips, and finally took to her pocket-handkerchief, and thoughts of the dear dead brother, and the little house and garden, and I know not what earlier home still. As for me, I thought of Reka Dom.

“We had had many homes, but that was the home par excellence–the beloved of my father, the beloved of us all. And as the clear voice sang the refrain, which sounded in some of our ears like a tender cry of recall to past happiness,

‘Home–Home–sweet, sweet Home!’

I stroked Miss Martha’s knee in silent sympathy, and saw Reka Dom before my eyes. The river seemed to flow with the melody. I swung to the tune between the elm-trees, with Walton and Cotton on my lap. What would Piscator have thought of it, had the milkmaid sung him this song? I roamed through the three lawns that were better to me than pleasures and palaces, and stood among the box-edged gardens. Then the refrain called me back again–