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Psyche’s Art
by
He spoke with the energy of a man who believed what he said, and did his best to be worthy of the rich gift bestowed upon him. The sight of her violets in a glass of water, and Giovanni staring at her with round eyes, suddenly recalled Psyche to a sense of the proprieties which she had been innocently outraging for the last ten minutes. A sort of panic seized her; she blushed deeply, retreated precipitately to the door, and vanished, murmuring thanks and apologies as she went.
“Did you find him? I thought you had forgotten,” said Miss Dickenson, now hard at work.
“Yes, I found him. No, I shall not forget,” returned Psyche, thinking of Gage, not Giovanni.
She stood before her work eying it intently for several minutes; then, with an expression of great contempt for the whole thing, she suddenly tilted her cherished Venus on to the floor, gave the classical face a finishing crunch, and put on her hat in a decisive manner, saying briefly to the dismayed damsels,–
“Good-by, girls; I shan’t come any more, for I’m going to work at home hereafter.”
II
The prospect of pursuing artistic studies at home was not brilliant, as one may imagine when I mention that Psyche’s father was a painfully prosaic man, wrapt in flannel, so to speak; for his woollen mills left him no time for anything but sleep, food, and newspapers. Mrs. Dean was one of those exasperating women who pervade their mansions like a domestic steam-engine one week and take to their sofas the next, absorbed by fidgets and foot-stoves, shawls and lamentations. There were three riotous and robust young brothers, whom it is unnecessary to describe except by stating that they were boys in the broadest sense of that delightful word. There was a feeble little sister, whose patient, suffering face demanded constant love and care to mitigate the weariness of a life of pain. And last, but not least by any means, there were two Irish ladies, who, with the best intentions imaginable, produced a universal state of topsy-turviness when left to themselves for a moment.
But being very much in earnest about doing her duty, not because it was her duty, but as a means toward an end, Psyche fell to work with a will, hoping to serve both masters at once. So she might have done, perhaps, if flesh and blood had been as plastic as clay, but the live models were so exacting in their demands upon her time and strength, that the poor statues went to the wall. Sculpture and sewing, calls and crayons, Ruskin and receipt-books, didn’t work well together, and poor Psyche found duties and desires desperately antagonistic. Take a day as a sample.
“The washing and ironing are well over, thank goodness, mother quiet, the boys out of the way, and May comfortable, so I’ll indulge myself in a blissful day after my own heart,” Psyche said, as she shut herself into her little studio, and prepared to enjoy a few hours of hard study and happy day-dreams.
With a book on her lap, and her own round white arm going through all manner of queer evolutions, she was placidly repeating, “Deltoides, Biceps, Triceps, Pronator, Supinator, Palmanis, Flexor carpi ulnaris–“
“Here’s Flexis what-you-call-ums for you,” interrupted a voice, which began in a shrill falsetto and ended in a gruff bass, as a flushed, dusty, long-legged boy burst in, with a bleeding hand obligingly extended for inspection.
“Mercy on us, Harry! what have you done to yourself now? Split your fingers with a cricket-ball again?” cried Psyche, as her arms went up and her book went down.
“I just thrashed one of the fellows because he got mad and said father was going to fail.”
“O Harry, is he?”
“Of course he isn’t! It’s hard times for every one, but father will pull through all right. No use to try and explain it all; girls can’t understand business; so you just tie me up, and don’t worry,” was the characteristic reply of the young man, who, being three years her junior, of course treated the weaker vessel with lordly condescension.