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“If I could do a thing like that, I’d die happy!” she exclaimed impetuously, as a feeling of despair came over her at the thought of her own poor attempts.

“Who did it, Giovanni?” she asked, still looking up at the grand face with unsatisfied eyes.

“Paul Gage.”

It was not the boy’s voice, and, with a start, Psyche turned to see her Michael Angelo, standing in the doorway, attentively observing her. Being too full of artless admiration to think of herself just yet, she neither blushed nor apologized, but looked straight at him, saying heartily,–

“You have done a wonderful piece of work, and I envy you more than I can tell!”

The enthusiasm in her face, the frankness of her manner, seemed to please him, for there was no affectation about either. He gave her a keen, kind glance out of the “fine gray eyes,” a little bow, and a grateful smile, saying quietly,–“Then my Adam is not a failure in spite of his fall?”

Psyche turned from the sculptor to his model with increased admiration in her face, and earnestness in her voice, as she exclaimed delighted,–

“Adam! I might have known it was he. O sir, you have indeed succeeded, for you have given that figure the power and pathos of the first man who sinned and suffered, and began again.”

“Then I am satisfied.” That was all he said, but the look he gave his work was a very eloquent one, for it betrayed that he had paid the price of success in patience and privation, labor and hope.

“What can one do to learn your secret?” asked the girl wistfully, for there was nothing in the man’s manner to disturb her self-forgetful mood, but much to foster it, because to the solitary worker this confiding guest was as welcome as the doves who often hopped in at his window.

“Work and wait, and meantime feed heart, soul, and imagination with the best food one can get,” he answered slowly, finding it impossible to give a receipt for genius.

“I can work and wait a long time to gain my end; but I don’t know where to find the food you speak of?” she answered, looking at him like a hungry child.

“I wish I could tell you, but each needs different fare, and each must look for it in different places.”

The kindly tone and the sympathizing look, as well as the lines in his forehead, and a few gray hairs among the brown, gave Psyche courage to say more.

“I love beauty so much that I not only want to possess it myself, but to gain the power of seeing it in all things, and the art of reproducing it with truth. I have tried very hard to do it, but something is wanting; and in spite of my intense desire I never get on.”

As she spoke the girl’s eyes filled and fell in spite of herself, and turning a little with sudden shamefacedness she saw, lying on the table beside her among other scraps in manuscript and print, the well-known lines,–

“I slept, and dreamed that life was beauty;
I woke, and found that life was duty.
Was thy dream then a shadowy lie?
Toil on, sad heart, courageously,
And thou shall find thy dream to be
A noonday light and truth to thee.”

She knew them at a glance, had read them many times, but now they came home to her with sudden force, and, seeing that his eye had followed hers, she said in her impulsive fashion.–

“Is doing one’s duty a good way to feed heart, soul, and imagination?”

As if he had caught a glimpse of what was going on in her mind, Paul answered emphatically,–

“Excellent; for if one is good, one is happy, and if happy, one can work well. Moulding character is the highest sort of sculpture, and all of us should learn that art before we touch clay or marble.”