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“Well, we can’t say after this that Aunt Adella never gave us anything,” she said, when she had opened her letter. “Listen, Penelope.”

My Dear Doris:

I have decided to give up housekeeping and go out West to
live with Robert. So I am disposing of such of the family
heirlooms as I do not wish to take with me. I am sending you
by express your Grandmother Hunter’s silk quilt. It is a
handsome article still and I hope you will prize it as you
should. It took your grandmother five years to make it. There
is a bit of the wedding dress of every member of the family in
it. Love to Penelope and yourself.

Your affectionate aunt,
Adella Hunter.

“I don’t see its beauty,” said Penelope with a grimace. “It may have been pretty once, but it is all faded now. It is a monument of patience, though. The pattern is what they call ‘Little Thousands,’ isn’t it? Tell me, Dorrie, does it argue a lack of proper respect for my ancestors that I can’t feel very enthusiastic over this heirloom–especially when Grandmother Hunter died years before I was born?”

“It was very kind of Aunt Adella to send it,” said Doris dutifully.

“Oh, very,” agreed Penelope drolly. “Only don’t ever ask me to sleep under it. It would give me the nightmare. O-o-h!”

This last was a little squeal of admiration as Doris turned the quilt over and brought to view the shimmering lining.

“Why, the wrong side is ever so much prettier than the right!” exclaimed Penelope. “What lovely, old-timey stuff! And not a bit faded.”

The lining was certainly very pretty. It was a soft, creamy yellow silk, with a design of brocaded pink rosebuds all over it.

“That was a dress Grandmother Hunter had when she was a girl,” said Doris absently. “I remember hearing Aunt Adella speak of it. When it became old-fashioned, Grandmother used it to line her quilt. I declare, it is as good as new.”

“Well, let us go and have tea,” said Penelope. “I’m decidedly hungry. Besides, I see the poverty pucker coming. Put the quilt in the spare room. It is something to possess an heirloom, after all. It gives one a nice, important-family feeling.”

After tea, when Penelope was patiently grinding away at her studies and thinking dolefully enough of the near-approaching examinations, which she dreaded, and of teaching, which she confidently expected to hate, Doris went up to the tiny spare room to look at the wrong side of the quilt again.

“It would make the loveliest party waist,” she said under her breath. “Creamy yellow is Penelope’s colour, and I could use that bit of old black lace and those knots of velvet ribbon that I have to trim it. I wonder if Grandmother Hunter’s reproachful spirit will forever haunt me if I do it.”

Doris knew very well that she would do it–had known it ever since she had looked at that lovely lining and a vision of Penelope’s vivid face and red-brown hair rising above a waist of the quaint old silk had flashed before her mental sight. That night, after Penelope had gone to bed, Doris ripped the lining out of Grandmother Hunter’s silk quilt.

“If Aunt Adella saw me now!” she laughed softly to herself as she worked.

In the three following evenings Doris made the waist. She thought it a wonderful bit of good luck that Penelope went out each of the evenings to study some especially difficult problems with a school chum.

“It will be such a nice surprise for her,” the sister mused jubilantly.

Penelope was surprised as much as the tender, sisterly heart could wish when Doris flashed out upon her triumphantly on the evening of the party with the black skirt nicely pressed and re-hung, and the prettiest waist imaginable–a waist that was a positive “creation” of dainty rose-besprinkled silk, with a girdle and knots of black velvet.