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Parpon’s hands twitched in his beard. He looked fixedly at Medallion. Presently he turned towards the Cure, and shrank so that he looked smaller still.

“It’s all right, little son,” said the Cure kindly. Turning sharply on Medallion, Parpon said: “When was it you heard?”

Medallion told him. He nodded, then sat very still. They said nothing, but watched him. They saw his eyes grow distant and absorbed, and his face took on a shining look, so that its ugliness was almost beautiful. All at once he slid from the stool and crouched on his knees. Then he sent out a low long note, like the toll of the bell-bird. From that time no one stirred as he sang, but sat and watched him. They did not even hear Sylvie steal in gently and stand in the curtains at the door.

The song was weird, with a strange thrilling charm; it had the slow dignity of a chant, the roll of an epic, the delight of wild beauty. It told of the little good Folk of the Scarlet Hills, in vague allusive phrases: their noiseless wanderings; their sojourning with the eagle, the wolf, and the deer; their triumph over the winds, the whirlpools, and the spirits of evil fame. It filled the room with the cry of the west wind; it called out of the frozen seas ghosts of forgotten worlds; it coaxed the soft breezes out of the South; it made them all to be at the whistle of the Scarlet Hunter who ruled the North.

Then, passing through veil after veil of mystery, it told of a grand Seigneur whose boat was overturned in a whirlpool, and was saved by a little brown diver. And the end of it all, and the heart of it all, was in the last few lines, clear of allegory:

“And the wheel goes round in the village mill, And the little brown diver he tells the grain… And the grand Seigneur he has gone to meet The little good Folk of the Scarlet Hills!”

At first, all were so impressed by the strange power of Parpon’s voice, that they were hardly conscious of the story he was telling. But when he sang of the Seigneur they began to read his parable. Their hearts throbbed painfully.

As the last notes died away Armand got up, and standing by the table, said: “Parpon, you saved my father’s life once?”

Parpon did not answer.

“Will you not tell him, my son?” said the Cure, rising. Still Parpon was silent.

“The son of your grand Seigneur asks you a question, Parpon,” said Medallion soothingly.

“Oh, my grand Seigneur!” said Parpon, throwing up his hands. “Once he said to me, ‘Come, my brown diver, and live with me.’ But I said, ‘No, I am not fit. I will never go to you at the House with the Tall Porch.’ And I made him promise that he would never tell of it. And so I have lived sometimes with old Farette.” Then he laughed strangely again, and sent a furtive look at Armand.

“Parpon,” said Armand gently, “our grand Seigneur has left you the Bois Noir for your own. So the hills and the Rock of Red Pigeons are for you–and the little good people, if you like.”

Parpon, with fiery eyes, gathered himself up with a quick movement, then broke out: “Oh, my grand Seigneur–my grand Seigneur!” and fell forward, his head in his arms, laughing and sobbing together.

Armand touched his shoulder. “Parpon!” But Parpon shrank away.

Armand turned to the rest. “I do not understand it, gentlemen. Parpon does not like the young Seigneur as he liked the old.”

Medallion, sitting in the shadow, smiled. He understood. Armand continued: “As for this ‘testament, gentlemen, I will fulfil its conditions; though I swear, were I otherwise minded regarding the woman”–here Parpon raised his head swiftly–“I would not hang my hat for an hour in the Tall Porch.”

They rose and shook hands, then the wine was poured out, and they drank it off in silence. Parpon, however, sat with his head in his hands.