PAGE 9
Pardners
by
“I boarded another cab:
“‘Drive me to number —-,’ giving him the address I’d heard her use.
“‘Who is it,’ came her voice when I rang the bell.
“‘Messenger boy,’ I replies, perjuring my vocal cords.
“When she opened the door, I pushed through and closed it behind me.
“‘What does this mean?’ she cried. ‘Help!’
“‘Shut up! It means you’re killing the best boy in the world, and I want to know why.’
“‘Who are you?’
“‘I’m Bill Joyce, your husband’s pardner. Old Tarantula Bill, that don’t fear no man, woman, or child that roams the forest. I’m here to find what ails you–‘
“‘Leave this house, sir!’
“‘Well, not to any extent. You’re a good girl; I knowed it when I first seen your picture. Now, I want you to tell me–‘
“‘Insolent! Shall I call the police?’ Her voice was icy, and she stood as solid as stone.
“‘Madam, I’m as gentle as a jellyfish, and peaceful to a fault, but if you raise a row before I finish my talk I’ll claim no responsibility over what occurs to the first eight or ten people that intrudes,’ and I drawed my skinnin’ knife, layin’ it on the planner. ‘Philanthropy is raging through my innards, and two loving hearts need joining!’
“‘I don’t love him,’ she quotes, like a phonograft, ignoring my cutlery.
“‘I’ll take exception to that ruling,’ and I picks up a picture of Justus she’d dropped as I broke in. She never batted an eye.
“‘I nursed that lad through brain fever, when all he could utter was your name.’
“‘Has he been sick?’ The first sign of spring lit up her peaks.
“‘Most dead. Notice of the divorce done it. He’s in bad shape yet.’ Morrow never had a sick day in his life, but I stomped both feet on the soft pedal, and pulled out the tremulo stop.
“‘Oh! Oh!’ Her voice was soft, though she still stood like a birch.
“‘Little girl,’ I laid a hand on her shoulder. ‘We both love that boy. Come, now, what is the matter?’
“She flashed up like powder.
“‘Matter? I thought he was a gentleman, even though he didn’t love me; that he had a shred of honour, at least. But no! He went to Alaska and made a fortune. Then he squandered it, drinking, fighting, gambling, and frittering it away on women. Bah! Lewd creatures of the dance-halls, too.’
“‘Hold up! Your dope sheet is way to the bad. There’s something wrong with your libretto. Who told you all that?’
“‘Never mind. I have proof. Look at these, and you dare to ask me why I left him?’
“She dragged out some pictures and throwed ’em at me.
“‘Ah! Why didn’t I let the kid kill him?’ says I, through my teeth.
“The first was the gambling-room of the Reception. There stood Morrow with the men under foot; there was the bottles and glasses; the chips and cards, and also the distressful spectacle of Tarantula Bill Joyce, a number twelve man, all gleaming teeth, and rolling eyeballs, inserting hisself into a number nine opening, and doing surprising well at it.
“‘Look at them. Look at them well,’ she gibed.
“The second was the Gold-Belt dance-hall, with the kid cavorting through a drunken orgy of painted ladies, like a bull in a pansy patch. But the other–it took my breath away till I felt I was on smooth ice, with cracks showing. It was the inside of a cabin, after a big ‘pot-latch,’ displaying a table littered up with fizz bottles and dishes galore. Diamond Tooth Lou stood on a chair, waving kisses and spilling booze from a mug. In the centre stood Morrow with another girl, nestling agin his boosum most horrible lovin’. Gee! It was a home splitter and it left me sparring for wind. The whole thing exhaled an air of debauchery that would make a wooden Indian blush. No one thing in particular; just the general local colour of a thousand-dollar bender.