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But not to the pants and the sweater. What the teacher had seen that day had set her to thinking, and her visit resulted in a great change for Paolo. She called at night and had a long talk with his mother and uncle through the medium of the priest, who interpreted when they got to a hard place. Uncle Pasquale took but little part in the conversation. He sat by and nodded most of the time, assured by the presence of the priest that it was all right. The widow cried a good deal, and went more than once to take a look at the boy, lying snugly tucked in his bed in the inner room, quite unconscious of the weighty matters that were being decided concerning him. She came back the last time drying her eyes, and laid both her hands in the hand of the teacher. She nodded twice and smiled through her tears, and the bargain was made. Paolo’s slavery was at an end.

His friend came the next day and took him away, dressed up in his best clothes, to a large school where there were many children, not of his own people, and where he was received kindly. There dawned that day a new life for Paolo, for in the afternoon trays of modelling-clay were brought in, and the children were told to mould in it objects that were set before them. Paolo’s teacher stood by, and nodded approvingly as his little fingers played so deftly with the clay, his face all lighted up with joy at this strange kind of a school-lesson.

After that he had a new and faithful friend, and, as he worked away, putting his whole young soul into the tasks that filled it with radiant hope, other friends, rich and powerful, found him out in his slum. They brought better-paying work for his mother than sewing pants for the sweater, and Uncle Pasquale abandoned the scows to become a porter in a big shipping-house on the West Side. The little family moved out of the old home into a better tenement, though not far away. Paolo’s loyal heart clung to the neighborhood where he had played and dreamed as a child, and he wanted it to share in his good fortune, now that it had come. As the days passed, the neighbors who had known him as little Paolo came to speak of him as one who some day would be a great artist and make them all proud. He laughed at that, and said that the first bust he would hew in marble should be that of his patient, faithful mother; and with that he gave her a little hug, and danced out of the room, leaving her to look after him with glistening eyes, brimming over with happiness.

But Paolo’s dream was to have another awakening. The years passed and brought their changes. In the manly youth who came forward as his name was called in the academy, and stood modestly at the desk to receive his diploma, few would have recognized the little ragamuffin who had dragged bundles of fire-wood to the rookery in the alley, and carried Uncle Pasquale’s dinner-pail to the dump. But the audience gathered to witness the commencement exercises knew it all, and greeted him with a hearty welcome that recalled his early struggles and his hard-won success. It was Paolo’s day of triumph. The class honors and the medal were his. The bust that had won both stood in the hall crowned with laurel–an Italian peasant woman, with sweet, gentle face, in which there lingered the memories of the patient eyes that had lulled the child to sleep in the old days in the alley. His teacher spoke to him, spoke of him, with pride in voice and glance; spoke tenderly of his old mother of the tenement, of his faithful work, of the loyal manhood that ever is the soul and badge of true genius. As he bade him welcome to the fellowship of artists who in him honored the best and noblest in their own aspirations, the emotion of the audience found voice once more. Paolo, flushed, his eyes filled with happy tears, stumbled out, he knew not how, with the coveted parchment in his hand.