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PAGE 3

Padre Ignacio, or The Song of Temptation
by [?]

“Perhaps,” ventured Felipe, “the Americanos–“

“They care nothing for us, Felipe. They are not of our religion–or of any religion, from what I can hear. Don’t forget my Dixit Dominus.”

The Padre retired once more to the sacristy, while the horse that brought Temptation came over the hill.

The hour of service drew near; and as the Padre waited he once again stepped out for a look at the ocean; but the blue triangle of water lay like a picture in its frame of land, bare as the sky. “I think, from the color, though,” said he, “that a little more wind must have begun out there.”

The bell rang a last short summons to prayer. Along the road from the south a young rider, leading a pack-animal, ambled into the mission and dismounted. Church was not so much in his thoughts as food and, after due digestion, a bed; but the doors stood open, and, as everybody was passing within them, more variety was to be gained by joining this company than by waiting outside alone until they should return from their devotions. So he seated himself in a corner near the entrance, and after a brief, jaunty glance at the sunburned, shaggy congregation, made himself as comfortable as might be. He had not seen a face worth keeping his eyes open for. The simple choir and simple fold, gathered for even-song, paid him no attention–a rough American bound for the mines was but an object of aversion to them.

The Padre, of course, had been instantly aware of the stranger’s presence. To be aware of unaccustomed presences is the sixth sense with vicars of every creed and heresy; and if the parish is lonely and the worshipers few and seldom varying, a newcomer will gleam out like a new book to be read. And a trained priest learns to read keenly the faces of those who assemble to worship under his guidance. But American vagrants, with no thoughts save of gold-digging, and an overweening illiterate jargon for speech, had long ceased to interest this priest, even in his starvation for company and talk from the outside world; and therefore after the intoning he sat with his homesick thoughts unchanged, to draw both pain and enjoyment from the music that he had set to the Dixit Dominus. He listened to the tender chorus that opens William Tell; and, as the Latin psalm proceeded, pictures of the past rose between him and the altar. One after another came these strains he had taken from operas famous in their day, until at length the Padre was murmuring to some music seldom long out of his heart–not the Latin verse which the choir sang, but the original French words:

“Ah, voile man envie,
Voila mon seul desir:
Rendez moi ma patrie,
Ou laissez moi mourir.”

Which may be rendered:

But one wish I implore,
One wish is all my cry:
Give back my native land once more,
Give back, or let me die.

Then it happened that his eye fell again upon the stranger near the door, and he skaightway forgot his Dixit Dominus. The face of the young man was no longer hidden by the slouching position he had at first taken. “I only noticed his clothes at first,” thought the Padre. Restlessness was plain upon the handsome brow, and violence was in the mouth; but Padre Ignacio liked the eyes. “He is not saying any prayers,” he surmised, presently. “I doubt if he has said any for a long while. And he knows my music. He is of educated people. He cannot be American. And now–yes, he has taken–I think it must be a flower, from his pocket. I shall have him to dine with me.” And vespers ended with rosy clouds of eagerness drifting across the Padre’s brain.

II

But the stranger made his own beginning. As the priest came from the church, the rebellious young figure was waiting. “Your organist tells me,” he said, impetuously, “that it is you who–“