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PAGE 10

Old Portraits
by [?]

‘What sort of sin, Ivan?’

‘I shall kill that gentleman. I shall simply go and say to him, “Master, let me go back; or else, mind, be careful of yourself…. I shall kill you.”‘

If a siskin or a chaffinch could have spoken, and had begun declaring that it would peck another bird to death, it would not have reduced me to greater amazement than did Ivan at that moment. What! Suhys’ Vania, that dancing, jesting, comic fellow, the favourite playfellow of children, and a child himself, that kindest-hearted of creatures, a murderer! What ridiculous nonsense! Not for an instant did I believe him; what astonished me to such a degree was that he was capable of saying such a thing. Anyway I appealed to Alexey Sergeitch. I did not repeat what Ivan had said to me, but began asking him whether something couldn’t be done. ‘My young sir,’ the old man answered, ‘I should be only too happy–but what’s to be done? I offered this Little Russian an immense compensation–I offered him three hundred roubles, ‘pon my honour, I tell you! but he–there’s no moving him! what’s one to do? The transaction was not legal, it was done on trust, in the old-fashioned way … and now see what mischief’s come of it! This Little Russian fellow, you see, will take Ivan by force, do what we will: his arm is powerful, the governor eats cabbage-soup at his table; he’ll be sending along soldiers. And I’m afraid of those soldiers! In old days, to be sure, I would have stood up for Ivan, come what might; but now, look at me, what a feeble creature I have grown! How can I make a fight for it?’ It was true; on my last visit I found Alexey Sergeitch greatly aged; even the centres of his eyes had that milky colour that babies’ eyes have, and his lips wore not his old conscious smile, but that unnatural, mawkish, unconscious grin, which never, even in sleep, leaves the faces of very decrepit old people.

I told Ivan of Alexey Sergeitch’s decision. He stood still, was silent for a little, shook his head. ‘Well,’ said he at last, ‘what is to be there’s no escaping. Only my mind’s made up. There’s nothing left, then, but to play the fool to the end. Something for drink, please!’ I gave him something; he drank himself drunk, and that day danced the ‘fish dance’ so that the serf-girls and peasant-women positively shrieked with delight–he surpassed himself in his antics so wonderfully.

Next day I went home, and three months later, in Petersburg, I heard that Ivan had kept his word. He had been sent to his new master; his master had called him into his room, and explained to him that he would be made coachman, that a team of three ponies would be put in his charge, and that he would be severely dealt with if he did not look after them well, and were not punctual in discharging his duties generally. ‘I’m not fond of joking.’ Ivan heard the master out, first bowed down to his feet, and then announced it was as his honour pleased, but he could not be his servant.

‘Let me off for a yearly quit-money, your honour,’ said he, ‘or send me for a soldier; or else there’ll be mischief come of it!’

The master flew into a rage. ‘Ah, what a fellow you are! How dare you speak to me like that? In the first place, I’m to be called your excellency, and not your honour; and, secondly, you’re beyond the age, and not of a size to be sent for a soldier; and, lastly, what mischief do you threaten me with? Do you mean to set the house on fire, eh?’

‘No, your excellency, not the house on fire.’

‘Murder me, then, eh?’

Ivan was silent. ‘I’m not your servant,’ he said at last.

‘Oh well, I’ll show you,’ roared the master, ‘whether you ‘re my servant or not.’ And he had Ivan cruelly punished, but yet had the three ponies put into his charge, and made him coachman in the stables.

Ivan apparently submitted; he began driving about as coachman. As he drove well, he soon gained favour with the master, especially as Ivan was very quiet and steady in his behaviour, and the ponies improved so much in his hands; he turned them out as sound and sleek as cucumbers–it was quite a sight to see. The master took to driving out with him oftener than with the other coachmen. Sometimes he would ask him, ‘I say, Ivan, do you remember how badly we got on when we met? You’ve got over all that nonsense, eh?’ But Ivan never made any response to such remarks. So one day the master was driving with Ivan to the town in his three-horse sledge with bells and a highback covered with carpet. The horses began to walk up the hill, and Ivan got off the box-seat and went behind the back of the sledge as though he had dropped something. It was a sharp frost; the master sat wrapped up, with a beaver cap pulled down on to his ears. Then Ivan took an axe from under his skirt, came up to the master from behind, knocked off his cap, and saying, ‘I warned you, Piotr Petrovitch–you’ve yourself to blame now!’ he struck off his head at one blow. Then he stopped the ponies, put the cap on his dead master, and, getting on the box-seat again, drove him to the town, straight to the courts of justice.

‘Here’s the Suhinsky general for you, dead; I have killed him. As I told him, so I did to him. Put me in fetters.’

They took Ivan, tried him, sentenced him to the knout, and then to hard labour. The light-hearted, bird-like dancer was sent to the mines, and there passed out of sight for ever….

Yes; one can but repeat, in another sense, Alexey Sergeitch’s words: ‘They were good old times … but enough of them!’

1881.