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“Come on and go out with us this evening, Mother,” Lil would say.

“Sure!” Hugo would agree, heartily. “Come along, Ma. We’ll show you some night life.”

“I don’t want to go,” Ma Mandle would mutter. “I’m better off at home. You enjoy yourself better without an old woman dragging along.”

That being true, they vowed it was not, and renewed their urging. In the end she went, grudgingly. But her old eyes would droop; the late supper would disagree with her; the noise, the music, the laughter, and shrill talk bewildered her. She did not understand the banter, and resented it.

Next day, in the park, she would boast of her life of gayety to the vaguely suspicious three.

Later she refused to go out with them. She stayed in her room a good deal, fussing about, arranging bureau drawers already geometrically precise, winding endless old ribbons, ripping the trimming off hats long passe and re-trimming them with odds and ends and scraps of feathers and flowers.

Hugo and Lil used to ask her to go with them to the movies, but they liked the second show at eight-thirty while she preferred the earlier one at seven. She grew sleepy early, though she often lay awake for hours after composing herself for sleep. She would watch the picture absorbedly, but when she stepped, blinking, into the bright glare of Fifty-third Street, she always had a sense of let-down, of depression.

A wise old lady of seventy, who could not apply her wisdom for her own good. A rather lonely old lady, with hardening arteries and a dilating heart. An increasingly fault-finding old lady. Even Hugo began to notice it. She would wait for him to come home and then, motioning him mysteriously into her own room, would pour a tale of fancied insult into his ear.

“I ran a household and brought up a family before she was born. I don’t have to be told what’s what. I may be an old woman but I’m not so old that I can sit and let my own son be made a fool of. One girl isn’t enough, she’s got to have a wash woman. And now a wash woman isn’t enough she’s got to have a woman to clean one day a week.”

An hour later, from the front bedroom, where Hugo was dressing, would come the low murmur of conversation. Lil had reached the complaining point, goaded by much repetition.

The attitude of the two women distressed and bewildered Hugo. He was a simple soul, and this was a complex situation. His mind leaped from mother to wife, and back again, joltingly. After all, one woman at a time is all that any man can handle successfully.

“What’s got into you women folks!” he would say. “Always quarrelling. Why can’t you get along.”

One night after dinner Lil said, quite innocently, “Mother, we haven’t a decent picture of you. Why don’t you have one taken? In your black lace.”

Old lady Mandle broke into sudden fury. “I guess you think I’m going to die! A picture to put on the piano after I’m gone, huh? ‘That’s my dear mother that’s gone.’ Well, I don’t have any picture taken. You can think of me the way I was when I was alive.”

The thing grew and swelled and took on bitterness as it progressed. Lil’s face grew strangely flushed and little veins stood out on her temples. All the pent-up bitterness that had been seething in Ma Mandle’s mind broke bounds now, and welled to her lips. Accusation, denial; vituperation, retort.

“You’ll be happy when I’m gone.”

“If I am it’s your fault.”

“It’s the ones that are used to nothing that always want the most. They don’t know where to stop. When you were working in Omaha–“

“The salary I gave up to marry your son was more money than you ever saw.”

And through it all, like a leit-motiv, ran Hugo’s attempt at pacification: “Now, Ma! Don’t, Lil. You’ll only excite yourself. What’s got into you two women?”