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PAGE 6

"Oh, Well, You Know How Women Are!"
by [?]

Why this difference between the sexes? The man is supposed to be the hardier creature of the two, but he can’t prove it. Of course there may be something in the theory that when a woman feels herself to be smartly dressed, an exaltation of soul lifts her far above realization of bodily discomfort. But I make so bold as to declare that the real reason why she is comfortable and he is not, lies in the fact that despite all eccentricities of costume in which she sometimes indulges, Everywoman goes about more rationally clad than Everyman does.

For the sake of comparing two horrible examples, let us take a woman esteemed to be over-dressed at all points and angles where she is not under-dressed, and, mentally, let us place alongside her a man who by the standards of his times and his contemporaries is conventionally garbed. To find the woman we want, we probably must travel to New York and seek her out in a smart restaurant at night. Occasionally she is found elsewhere but it is only in New York, that city where so many of the young women are prematurely old and so many of the old women are prematurely young, that she abounds in sufficient profusion to become a common type instead of an infrequent one. This woman is waging that battle against the mounting birthdays which nobody ever yet won. Her hair has been dyed in those rich autumnal tints which are so becoming to a tree in its Indian summer, but so unbecoming to a woman in hers. Richard K. Fox might have designed her jewelry; she glistens with diamonds until she makes you think of the ice coming out of the Hudson River in the early spring. But about her complexion there is no suggestion of a March thaw. For it is a climate-proof shellac. Her eyebrows are the self-made kind, and her lips were done by hand. Her skirt is too short for looks and too tight for comfort; she is tightly prisoned at the waistline and not sufficiently confined in the bust. There is nothing natural or rational anywhere about her. She is as artificial as a tin minnow and she glitters like one.

Next your attention is invited to the male of the species. He is assumed to be dressed in accordance with the dictates of good taste and with due regard for all the ordinary proprieties. But is he? Before deciding whether he is or isn’t, let us look him over, starting from the feet and working upward. A matter of inches above his insteps brings us to the bottom of his trouser-legs. Now these trouser-legs of his are morally certain to be too long, in which event they billow down over his feet in slovenly and ungraceful folds, or they are too short, in which event there is an awkward, ugly cross-line just above his ankles. If he is a thin man, his dress waistcoat bulges away from his breastbone so the passerby can easily discover what brand of suspenders he fancies; but if he be stoutish, the waistcoat has a little way of hitching along up his mid-riff inch by inch until finally it has accordion-pleated itself in overlapping folds thwartwise of his tummy, coyly exposing an inch or so of clandestine shirt-front.

It requires great will-power on the part of the owner and constant watchfulness as well to keep a fat man’s dress waistcoat from behaving like a railroad folder. His dinner coat or his tail coat, if he wears a tail coat, is invariably too tight in the sleeves; nine times out of ten it binds across the back between the shoulders, and bulges out in a pouch effect at the collar. His shirt front, if hard-boiled, is as cold and clammy as a morgue slab when first he puts it on; but as hot and sticky as a priming of fresh glue after he has worn it for half an hour in an overheated room–and all public rooms in America are overheated. Should it be of the pleated or medium well-done variety, no power on earth can keep it from appearing rumply and untidy; that is, no power can if the wearer be a normal man. I am not speaking of professional he-beauties or models for the illustrations of haberdashers’ advertisements in the magazines. His collar, which is a torturer’s device of stiff linen and yielding starch, is not a comparatively modern product as some have imagined. It really dates back to the Spanish Inquisition where it enjoyed a great vogue. Faring abroad, he encloses his head, let us say in a derby hat. Some people think the homeliest thing ever devised by man is Grant’s Tomb. Others favor the St. Louis Union Depot. But I am pledged to the derby hat. And the high or two-quart hat runs second.