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PAGE 12

Nona Vincent
by [?]

When he got home his fire was out, his room was cold, and he lay down on his sofa in his overcoat. He had sent his landlady to the dress- circle, on purpose; she would overflow with words and mistakes. The house seemed a black void, just as the streets had done–every one was, formidably, at his play. He was quieter at last than he had been for a fortnight, and he felt too weak even to wonder how the thing was going. He believed afterwards that he had slept an hour; but even if he had he felt it to be still too early to return to the theatre. He sat down by his lamp and tried to read–to read a little compendious life of a great English statesman, out of a “series.” It struck him as brilliantly clever, and he asked himself whether that perhaps were not rather the sort of thing he ought to have taken up: not the statesmanship, but the art of brief biography. Suddenly he became aware that he must hurry if he was to reach the theatre at all–it was a quarter to eleven o’clock. He scrambled out and, this time, found a hansom–he had lately spent enough money in cabs to add to his hope that the profits of his new profession would be great. His anxiety, his suspense flamed up again, and as he rattled eastward–he went fast now–he was almost sick with alternations. As he passed into the theatre the first man–some underling–who met him, cried to him, breathlessly:

“You’re wanted, sir–you’re wanted!” He thought his tone very ominous–he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution? Some one else pressed him, almost pushed him, forward; he was already on the stage. Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act. But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it. They had been called, and HE was called–they all greeted him with “Go on–go on!” He was terrified–he couldn’t go on–he didn’t believe in the applause, which seemed to him only audible enough to sound half- hearted.

“Has it gone?–HAS it gone?” he gasped to the people round him; and he heard them say “Rather–rather!” perfunctorily, mendaciously too, as it struck him, and even with mocking laughter, the laughter of defeat and despair. Suddenly, though all this must have taken but a moment, Loder burst upon him from somewhere with a “For God’s sake don’t keep them, or they’ll STOP!” “But I can’t go on for THAT!” Wayworth cried, in anguish; the sound seemed to him already to have ceased. Loder had hold of him and was shoving him; he resisted and looked round frantically for Violet Grey, who perhaps would tell him the truth. There was by this time a crowd in the wing, all with strange grimacing painted faces, but Violet was not among them and her very absence frightened him. He uttered her name with an accent that he afterwards regretted–it gave them, as he thought, both away; and while Loder hustled him before the curtain he heard some one say “She took her call and disappeared.” She had had a call, then–this was what was most present to the young man as he stood for an instant in the glare of the footlights, looking blindly at the great vaguely- peopled horseshoe and greeted with plaudits which now seemed to him at once louder than he deserved and feebler than he desired. They sank to rest quickly, but he felt it to be long before he could back away, before he could, in his turn, seize the manager by the arm and cry huskily–“Has it really gone–REALLY?”