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PAGE 5

Nocturne At The Majestic
by [?]

No! Her cause was just; but it was too startling–that was what was the matter with it.

Then she told herself she would write to Lionel Belmont. She would write a letter that night.

At nine-thirty she was off duty. She went upstairs to her perch in the roof, and sat on her bed for over two hours. Then she came down again to the bureau with some bluish note-paper and envelopes in her hand, and, in response to the surprised question of the pink-frocked colleague who had taken her place, she explained that she wanted to write a letter.

‘You do look that bad, Miss Malpas,’ said the other girl, who made a speciality of compassion.

‘Do I?’ said Nina.

‘Yes, you do. What have you got on, now, my poor dear?’

‘What’s that to you? I’ll thank you to mind your own business, Miss Bella Perkins.’

Usually Nina was not soon ruffled; but that night all her nerves were exasperated and exceedingly sensitive.

‘Oh!’ said the girl. ‘What price the Duchess of Doncaster? And I was just going to wish you a nice day to-morrow for your holiday, too.’

Nina seated herself at the table to write the letter. An electric light burned directly over her frizzy head. She wrote a weak but legible and regular back-hand. She hated writing letters, partly because she was dubious about her spelling, and partly because of an obscure but irrepressible suspicion that her letters were of necessity silly. She pondered for a long time, and then wrote: ‘Dear Mr. Belmont,–I venture—-‘ She made a new start: ‘Dear Sir,–I hope you will not think me—-‘ And a third attempt: ‘My dear Father—-‘ No! it was preposterous. It could no more be written than it could be said.

The situation was too much for simple Nina.

Suddenly the grand circular hall of the Majestic was filled with a clamour at once charming and fantastic. There was chattering of musical, gay American voices, pattering of elegant feet on the tessellated pavement, the unique incomparable sound of the frou-frou of many frocks; and above all this the rich tones of Mr. Lionel Belmont. Nina looked up and saw her radiant father the centre of a group of girls all young, all beautiful, all stylish, all with picture hats, all self-possessed, all sparkling, doubtless the recipients of the dandy supper.

Oh, how insignificant and homicidal Nina felt!

‘Thirteen of you!’ exclaimed Lionel Belmont, pulling his superb moustache. ‘Two to a hansom. I guess I’ll want six and a half hansoms, boy.’

There was an explosion of delicious laughter, and the page-boy grinned, ran off, and began whistling in the portico like a vexed locomotive. The thirteen fair, shepherded by Lionel Belmont, passed out into the murmurous summer night of the Strand. Cab after cab drove up, and Nina saw that her father, after filling each cab, paid each cabman. In three minutes the dream-like scene was over. Mr. Belmont re-entered the hotel, winked humorously at the occupant of the pagoda, ignored the bureau, and departed to his rooms.

Nina ripped her inchoate letters into small pieces, and, with a tart good-night to Miss Bella Perkins, who was closing her ledgers, the hour being close upon twelve-thirty, she passed sedately, stiffly, as though in performance of some vestal’s ritual, up the grand staircase. Turning to the right at the first landing, she traversed a long corridor which was no part of the route to her cubicle on the ninth floor. This corridor was lighted by glowing sparks, which hung on yellow cords from the central line of the ceiling; underfoot was a heavy but narrow crimson patterned carpet with a strip of polished oak parquet on either side of it. Exactly along the central line of the carpet Nina tripped, languorously, like an automaton, and exactly over her head glittered the line of electric sparks. The corridor and the journey seemed to be interminable, and Nina on some inscrutable and mystic errand. At length she moved aside from the religious line, went into a service cabinet, and emerged with a small bunch of pass-keys. No. 107 was Lionel Belmont’s sitting-room; No. 102, his bedroom, was opposite to 107. No. 108, another sitting-room, was, as Nina knew, unoccupied. She noiselessly let herself into No. 108, closed the door, and stood still. After a minute she switched on the light. These two rooms, Nos. 108 and 107, had once communicated, but, as space grew precious with the growing success of the Majestic, they had been finally separated, and the door between them locked and masked by furniture. By reason of the door, Nina could hear Lionel Belmont moving to and fro in No. 107. She listened a long time. Then, involuntarily, she yawned with fatigue.