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When I came down to breakfast, Aunt Chloe was waiting for me in the hall. She looked like the old woman in the fairy-tale in her short black dress that came to her shoe-tops, snow-white apron and headkerchief, covered by a close-fitting nun-like hood–only the edge of the handkerchief showed–making her seem the old black saint that she was. It not being one of her cleaning-days, she had “kind o’ spruced herself up a li’l mite,” she said. She carried her basket, covered now with a white starched napkin instead of the red-and-yellow bandanna of work-days. No one ever knew what this basket contained. “Her luncheon,” some of the art-students said; but if it did, no one had ever seen her eat it. “Someone else’s luncheon,” Marny added; “some sick body whom she looks after. There are dozens of them.”

“Larrovers fur meddlins,” Aunt Chloe invariably answered those whose curiosity got the better of their discretion–an explanation which only deepened the mystery, no one being able to translate it.

“She’s safe, honey!” Aunt Chloe cried, when she caught sight of me. “I toted de baby, an’ she toted de box. Po’ li’l chinkapin! Mos’ break a body’s heart to see it! ‘Clar to goodness, dat chile’s leg warn’t bigger’n a drumstick picked to de bone. De man de Sheriff sent wid us didn’t go no furder dan de gate, an’ when he lef us dey all sneaked in an’ did dere bes’ ter git her from me. Wuss-lookin’ harum-scarums you ever see. Kep’ a-tellin’ her de ticket was good for ten days an’ dey’d go wid her back to town; an’ dat if she’d stay dey’d take her ‘cross de ribber to see de city. I seed she wanted ter git home to her husban’, an’ she tol’ ’em so. Den dey tried to make her believe he was comin’ for her, an’ dey pestered her so an’ got her so mixed up wid deir lies dat I was feared she was gwine to give in, arter all. She warn’t nothin’ but a po’ weak thing noways. Den I riz up an’ tol’ ’em dat I’d call a pleeceman an’ take dat ticket from her an’ de money I gin her beside, if she didn’t stay on dat car. I didn’t give her de ‘velope; I had dat in my han’ to show de conductor when he come, so he could see whar she was ter git off. Here it is”–and she handed me the ticket-seller’s envelope. “Warn’t nothin’ else saved me but dat. When dey see’d it, dey knowed den somebody was a-lookin’ arter her an’ dey give in. Po’ critter! I reckon she’s purty nigh home by dis time!”

The story is told. It is all true, every sickening detail. Other stories just like it, some of them infinitely more pitiful, can be written daily by anyone who will peer into the cages of Covington jail. There is nothing to be done; nothing can be done.

It is the law of the land–the just, holy, beneficent law, which is no respecter of persons.

II

BUD TILDEN, MAIL-THIEF

“That’s Bud Tilden, the worst of the bunch,” said the jail Warden–the warden with the sliced ear and the gorilla hands. “Reminds me of a cat’mount I tried to tame once, only he’s twice as ugly.”

As he spoke, he pointed to a prisoner in a slouch hat clinging half-way up the steel bars of his cage, his head thrust through as far as his cheeks would permit, his legs spread apart like the letter A.

“What’s he here for?” I asked.

“Bobbin’ the U-nited States mail.”

“Where?”

“Up in the Kentucky mountains, back o’ Bug Holler. Laid for the carrier one night, held him up with a gun, pulled him off his horse, slashed the bottom out o’ the mail-bag with his knife, took what letters he wanted, and lit off in the woods, cool as a chunk o’ ice. Oh! I tell ye, he’s no sardine; you kin see that without my tellin’ ye. They’ll railroad him, sure.”