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The old Spanish sorcerer to whom Mlle. de Tartas had left her personal property had done his work thoroughly. The house was absolutely empty, even the wardrobes and bookcases built in had been carried away; we went through room after room, finding all absolutely dismantled, only the windows and doors with their casings, the parquet floors, and the florid Renaissance mantels remaining.

“I feel better,” remarked Fargeau. “The house may be haunted, but it don’t look it, certainly; it is the most respectable place imaginable.”

“Just you wait,” replied Eugene. “These are only the state apartments, which my aunt seldom used, except, perhaps, on her annual ‘Walpurgisnacht.’ Come up stairs and I will show you a better mise en scene.”

On this floor, the rooms fronting the court, the sleeping-rooms, were quite small,–(“They are the bad rooms all the same,” said Eugene,)–four of them, all just as ordinary in appearance as those below. A corridor ran behind them connecting with the wing corridor, and from this opened a door, unlike any of the other doors in that it was covered with green baize, somewhat moth-eaten. Eugene selected a key from the bunch he carried, unlocked the door, and with some difficulty forced it to swing inward; it was as heavy as the door of a safe.

“We are now,” he said, “on the very threshold of hell itself; these rooms in here were my scarlet aunt’s unholy of unholies. I never let them with the rest of the house, but keep them as a curiosity. I only wish Torrevieja had kept out; as it was, he looted them, as he did the rest of the house, and nothing is left but the walls and ceiling and floor. They are something, however, and may suggest what the former condition must have been. Tremble and enter.”

The first apartment was a kind of anteroom, a cube of perhaps twenty feet each way, without windows, and with no doors except that by which we entered and another to the right. Walls, floor, and ceiling were covered with a black lacquer, brilliantly polished, that flashed the light of our lanterns in a thousand intricate reflections. It was like the inside of an enormous Japanese box, and about as empty. From this we passed to another room, and here we nearly dropped our lanterns. The room was circular, thirty feet or so in diameter, covered by a hemispherical dome; walls and ceiling were dark blue, spotted with gold stars; and reaching from floor to floor across the dome stretched a colossal figure in red lacquer of a nude woman kneeling, her legs reaching out along the floor on either side, her head touching the lintel of the door through which we had entered, her arms forming its sides, with the fore arms extended and stretching along the walls until they met the long feet. The most astounding, misshapen, absolutely terrifying thing, I think, I ever saw. From the navel hung a great white object, like the traditional roe’s egg of the Arabian Nights. The floor was of red lacquer, and in it was inlaid a pentagram the size of the room, made of wide strips of brass. In the centre of this pentagram was a circular disk of black stone, slightly saucer-shaped, with a small outlet in the middle.

The effect of the room was simply crushing, with this gigantic red figure crouched over it all, the staring eyes fixed on one, no matter what his position. None of us spoke, so oppressive was the whole thing.

The third room was like the first in dimensions, but instead of being black it was entirely sheathed with plates of brass, walls, ceiling, and floor,–tarnished now, and turning green, but still brilliant under the lantern light. In the middle stood an oblong altar of porphyry, its longer dimensions on the axis of the suite of rooms, and at one end, opposite the range of doors, a pedestal of black basalt.